In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
Critics and audiences landed in very different places on this one — audiences were swept up by Brad Pitt's star-making charisma and the film's gorgeous Montana vistas, while critics were more divided, many finding the sprawling saga too melodramatic and its characters too underdeveloped to sustain its epic ambitions. The central argument was whether the film's sweep and visual beauty compensate for a plot that keeps piling on tragedy until it strains credulity, with some feeling it belonged on television as a miniseries rather than compressed into a feature.
“yarn doesn't so much sweep as sprawl across the screen in all its panoramic idiocy”
Rita Kempley·The Washington Post
“The actors fit their roles exceptionally well, but Zwick rarely allows them the kinds of crucial, intimate moments that establish how the characters feel about each other. Occasionally the story grips, suggesting what might have been if the actors had been playing people instead of archetypes.”
John Hartl·The Seattle Times
“What Legends of the Fall lacks is any spirit of rigor. It buys into -- indeed, is selling -- the oldest of guff: the idea that the violence of banal men is beautiful and righteous.”
Stephen Hunter·The Baltimore Sun
“These are performances that lost too much in the editing room, smothered by music and overshadowed by a picture-postcard vision of the American West.”
Janet Maslin·The New York Times
“pretty good ... with full-blooded performances and heartfelt melodrama”
Roger Ebert·Chicago Sun-Times
Drama, Romance, War
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
Critics and audiences landed in very different places on this one — audiences were swept up by Brad Pitt's star-making charisma and the film's gorgeous Montana vistas, while critics were more divided, many finding the sprawling saga too melodramatic and its characters too underdeveloped to sustain its epic ambitions. The central argument was whether the film's sweep and visual beauty compensate for a plot that keeps piling on tragedy until it strains credulity, with some feeling it belonged on television as a miniseries rather than compressed into a feature.
“yarn doesn't so much sweep as sprawl across the screen in all its panoramic idiocy”
Rita Kempley·The Washington Post
“The actors fit their roles exceptionally well, but Zwick rarely allows them the kinds of crucial, intimate moments that establish how the characters feel about each other. Occasionally the story grips, suggesting what might have been if the actors had been playing people instead of archetypes.”
John Hartl·The Seattle Times
“What Legends of the Fall lacks is any spirit of rigor. It buys into -- indeed, is selling -- the oldest of guff: the idea that the violence of banal men is beautiful and righteous.”
Stephen Hunter·The Baltimore Sun
“These are performances that lost too much in the editing room, smothered by music and overshadowed by a picture-postcard vision of the American West.”
Janet Maslin·The New York Times
“pretty good ... with full-blooded performances and heartfelt melodrama”
Roger Ebert·Chicago Sun-Times
Drama, Romance, War