Defense attorney Martin Vail takes on jobs for money and prestige rather than any sense of the greater good. His latest case involves an altar boy, accused of brutally murdering the archbishop of Chicago. Vail finds himself up against his ex-pupil and ex-lover, but as the case progresses and the Church's dark secrets are revealed, Vail finds that what appeared a simple case takes on a darker, more dangerous aspect.
Primal Fear lands as a solid if busy courtroom thriller, with critics broadly agreeing that Edward Norton's breakout performance outpaces the material around it. The gap between audience enthusiasm and critical ambivalence is real — professional reviewers found the screenplay overstuffed with subplots, even as they admired the cast.
“the plot is as good as crime procedurals get, but the movie is really better than its plot because of the three-dimensional characters”
Roger Ebert·Chicago Sun-Times
“the story relies on an overload of tangential subplots to keep it looking busy”
Janet Maslin·The New York Times
Crime, Drama, Mystery
Defense attorney Martin Vail takes on jobs for money and prestige rather than any sense of the greater good. His latest case involves an altar boy, accused of brutally murdering the archbishop of Chicago. Vail finds himself up against his ex-pupil and ex-lover, but as the case progresses and the Church's dark secrets are revealed, Vail finds that what appeared a simple case takes on a darker, more dangerous aspect.
Primal Fear lands as a solid if busy courtroom thriller, with critics broadly agreeing that Edward Norton's breakout performance outpaces the material around it. The gap between audience enthusiasm and critical ambivalence is real — professional reviewers found the screenplay overstuffed with subplots, even as they admired the cast.
“the plot is as good as crime procedurals get, but the movie is really better than its plot because of the three-dimensional characters”
Roger Ebert·Chicago Sun-Times
“the story relies on an overload of tangential subplots to keep it looking busy”
Janet Maslin·The New York Times
Crime, Drama, Mystery