A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Luhrmann's maximalist musical provoked genuine critical division: admirers found its operatic energy and style exhilarating, while skeptics argued the relentless spectacle crowds out any organic emotion. McGregor and Kidman's performances and the film's sheer audacity drew consistent attention, even from those who found the whole thing overwhelming — and popular audiences have rated it more warmly over time than many critics initially did.
“both stars hurl themselves into the movie's reckless spirit, unafraid of looking foolish, adroitly attuned to Luhrmann's abrupt swings from farce to tragedy. (And both sing well.)”
David Ansen·Newsweek
“the film is undeniably rousing, but there is not a single moment of organic excitement because Mr. Luhrmann is so busy splicing bits from other films”
The New York Times
“not gonna be for all tastes”
All Things Considered
Drama, Musical, Romance
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Luhrmann's maximalist musical provoked genuine critical division: admirers found its operatic energy and style exhilarating, while skeptics argued the relentless spectacle crowds out any organic emotion. McGregor and Kidman's performances and the film's sheer audacity drew consistent attention, even from those who found the whole thing overwhelming — and popular audiences have rated it more warmly over time than many critics initially did.
“both stars hurl themselves into the movie's reckless spirit, unafraid of looking foolish, adroitly attuned to Luhrmann's abrupt swings from farce to tragedy. (And both sing well.)”
David Ansen·Newsweek
“the film is undeniably rousing, but there is not a single moment of organic excitement because Mr. Luhrmann is so busy splicing bits from other films”
The New York Times
“not gonna be for all tastes”
All Things Considered
Drama, Musical, Romance