Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.
A solidly entertaining but unambitious swashbuckler, this adaptation of Dumas leans hard on old-fashioned adventure pleasures — piracy, revenge, Parisian intrigue — and delivers them competently without reinventing anything. Critics were broadly favorable but clear-eyed about the film's middling nature, and audiences responded more warmly than press did.
“This is the kind of adventure picture the studios churned out in the Golden Age—so traditional it almost feels new.”
Roger Ebert·RogerEbert.com
“More fun than Peter Hyams' The Musketeer, and somewhat less so than The Man in the Iron Mask, this is middling Dumas all the way.”
Marc Salov·The Austin Chronicle
Action, Adventure, Drama
Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.
A solidly entertaining but unambitious swashbuckler, this adaptation of Dumas leans hard on old-fashioned adventure pleasures — piracy, revenge, Parisian intrigue — and delivers them competently without reinventing anything. Critics were broadly favorable but clear-eyed about the film's middling nature, and audiences responded more warmly than press did.
“This is the kind of adventure picture the studios churned out in the Golden Age—so traditional it almost feels new.”
Roger Ebert·RogerEbert.com
“More fun than Peter Hyams' The Musketeer, and somewhat less so than The Man in the Iron Mask, this is middling Dumas all the way.”
Marc Salov·The Austin Chronicle
Action, Adventure, Drama