During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
Spielberg's dramatization of the Mossad reprisals after the 1972 Olympics massacre drew genuine admiration for its craft and moral seriousness, but split critics sharply over whether it actually earns that seriousness — whether its anguished hand-wringing about the costs of state violence amounts to genuine intellectual inquiry or a glossy simulation of it. The loudest arguments were political: conservative and pro-Israel voices accused the film of drawing a false equivalence between Israeli agents and Palestinian terrorists, while some film critics felt the script was too baggy and the characters too thin to carry the weight Spielberg was attempting.
“Munich is an eye-opener – a motion picture that asks difficult questions, presents well-developed characters, and keeps us white-knuckled throughout.”
James Berardinelli·Reelviews
“This is Spielberg operating at his peak—an exceptionally made, provocative, and vital film for our times.”
Ian Nathan·Empire
“With no heart, no ideology and not much intellectual debate, Munich is a big disappointment, and something of a bore.”
Rex Reed·The New York Observer
“an intellectual pursuit, it is little more than a pretty prism through which superficial Jewish guilt and generalized Palestinian nationalism”
Allison Benedikt·Chicago Tribune
Drama, History, Thriller
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
Spielberg's dramatization of the Mossad reprisals after the 1972 Olympics massacre drew genuine admiration for its craft and moral seriousness, but split critics sharply over whether it actually earns that seriousness — whether its anguished hand-wringing about the costs of state violence amounts to genuine intellectual inquiry or a glossy simulation of it. The loudest arguments were political: conservative and pro-Israel voices accused the film of drawing a false equivalence between Israeli agents and Palestinian terrorists, while some film critics felt the script was too baggy and the characters too thin to carry the weight Spielberg was attempting.
“Munich is an eye-opener – a motion picture that asks difficult questions, presents well-developed characters, and keeps us white-knuckled throughout.”
James Berardinelli·Reelviews
“This is Spielberg operating at his peak—an exceptionally made, provocative, and vital film for our times.”
Ian Nathan·Empire
“With no heart, no ideology and not much intellectual debate, Munich is a big disappointment, and something of a bore.”
Rex Reed·The New York Observer
“an intellectual pursuit, it is little more than a pretty prism through which superficial Jewish guilt and generalized Palestinian nationalism”
Allison Benedikt·Chicago Tribune
Drama, History, Thriller