Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
Rodriguez and Tarantino's love letter to 1970s exploitation cinema earned mostly enthusiastic notices for its gleeful bad taste and formal wit, though critics split sharply over the two halves — many found Planet Terror the more purely enjoyable segment while others argued Death Proof is the more genuinely cinematic one. The fake trailers were nearly a point of universal agreement, praised even by reviewers who soured on the features themselves.
“by stooping low without selling out, this babes-and-bullets tour de force gets you high on movies again”
Peter Travers·Rolling Stone
“cinema as an expression of pulp with attitude ... [Rodriguez and Tarantino] are speaking from the hearts ... but that doesn't mean everyone sitting in the theater will get it”
James Berardinelli·Reel Views
“the Rodriguez segment is terrific; the Tarantino one long-winded and juvenile”
Mick LaSalle·San Francisco Chronicle
“this ambitious, scratched, and weathered venture never manages a real death grip on the senses”
Larry Ratliff·San Antonio Express-News
“With the exception of Werewolf Women, which tries a little too hard, they're all spot-on pastiches”
Maitland McDonagh·TV Guide
Horror, Thriller
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
Rodriguez and Tarantino's love letter to 1970s exploitation cinema earned mostly enthusiastic notices for its gleeful bad taste and formal wit, though critics split sharply over the two halves — many found Planet Terror the more purely enjoyable segment while others argued Death Proof is the more genuinely cinematic one. The fake trailers were nearly a point of universal agreement, praised even by reviewers who soured on the features themselves.
“by stooping low without selling out, this babes-and-bullets tour de force gets you high on movies again”
Peter Travers·Rolling Stone
“cinema as an expression of pulp with attitude ... [Rodriguez and Tarantino] are speaking from the hearts ... but that doesn't mean everyone sitting in the theater will get it”
James Berardinelli·Reel Views
“the Rodriguez segment is terrific; the Tarantino one long-winded and juvenile”
Mick LaSalle·San Francisco Chronicle
“this ambitious, scratched, and weathered venture never manages a real death grip on the senses”
Larry Ratliff·San Antonio Express-News
“With the exception of Werewolf Women, which tries a little too hard, they're all spot-on pastiches”
Maitland McDonagh·TV Guide
Horror, Thriller