Los Angeles, 1928. When single mother Christine Collins leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son. But when Christine suspects that the boy returned to her isn't her child, her quest for truth exposes a world of corruption.
Cannes buzz didn't survive the North American release intact: critics largely admired Jolie's performance and Eastwood's restrained period craft, but split sharply over whether that restraint amounted to dignity or dullness. European critics were considerably warmer than their American counterparts, and the film's mixed standing at home has never quite caught up to its strong audience affection.
“emotionally powerful and stylistically sure-handed”
Todd McCarthy·Variety
“some stories really are about the good guys and the bad”
David Ansen·Newsweek
“The two of them make a very proper and dull pair of collaborators.”
David Denby·The New Yorker
“J. Michael Straczynski's disjointed script manages to ring false at almost every significant turn ... and Clint Eastwood's ponderous direction—a disheartening departure from his sure touch in 'Letters From Iwo Jima' and 'The Bridges of Madison County'—magnifies the flaws.”
Joe Morgenstern·The Wall Street Journal
“Jolie puts on a powerful emotional display as a tenacious woman who gathers strength from the forces that oppose her. She reminds us that there is nothing so fierce as a mother protecting her cub.”
Kirk Honeycutt·The Hollywood Reporter
Biography, Crime, Drama
Los Angeles, 1928. When single mother Christine Collins leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son. But when Christine suspects that the boy returned to her isn't her child, her quest for truth exposes a world of corruption.
Cannes buzz didn't survive the North American release intact: critics largely admired Jolie's performance and Eastwood's restrained period craft, but split sharply over whether that restraint amounted to dignity or dullness. European critics were considerably warmer than their American counterparts, and the film's mixed standing at home has never quite caught up to its strong audience affection.
“emotionally powerful and stylistically sure-handed”
Todd McCarthy·Variety
“some stories really are about the good guys and the bad”
David Ansen·Newsweek
“The two of them make a very proper and dull pair of collaborators.”
David Denby·The New Yorker
“J. Michael Straczynski's disjointed script manages to ring false at almost every significant turn ... and Clint Eastwood's ponderous direction—a disheartening departure from his sure touch in 'Letters From Iwo Jima' and 'The Bridges of Madison County'—magnifies the flaws.”
Joe Morgenstern·The Wall Street Journal
“Jolie puts on a powerful emotional display as a tenacious woman who gathers strength from the forces that oppose her. She reminds us that there is nothing so fierce as a mother protecting her cub.”
Kirk Honeycutt·The Hollywood Reporter
Biography, Crime, Drama