Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a super-hero, even though he has no powers, training or meaningful reason to do so.
Matthew Vaughn's ultra-violent superhero satire divided critics sharply: admirers celebrated its audacity, dark humor, and Chloë Moretz's breakout performance as Hit-Girl, while detractors argued its gleeful brutality involving a child crossed ethical lines rather than subverted them. The satire itself was a flashpoint — some found the genre deconstruction genuinely sharp, others felt the film was too in love with its own outrageousness to land any real critique.
“A ridiculously entertaining, perfectly paced, ultra-violent cinematic rush that kicks the places other movies struggle to reach. ... the film's violence is clearly fantastical and cartoonish and not to be taken seriously.”
Chris Hewitt·Empire
“Fast, periodically spit-funny and often grotesquely violent, the film at once embraces and satirizes contemporary action-film clichés with Tarantino-esque self-regard.”
Manohla Dargis·The New York Times
“Never as shocking as it thinks it is, as funny as it should be, or as engaged in cultural critique as it could be, Kick-Ass is half-assed.”
Karina Longworth·Village Voice
“When kids in the age range of this movie's home video audience are shooting one another every day in America, that kind of stops being funny.”
Roger Ebert·Chicago Sun-Times
“Matthew Vaughn's Kick Ass is hollow, glazed, and not quite there.”
Tim Robey·The Daily Telegraph
Action, Comedy, Crime
Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a super-hero, even though he has no powers, training or meaningful reason to do so.
Matthew Vaughn's ultra-violent superhero satire divided critics sharply: admirers celebrated its audacity, dark humor, and Chloë Moretz's breakout performance as Hit-Girl, while detractors argued its gleeful brutality involving a child crossed ethical lines rather than subverted them. The satire itself was a flashpoint — some found the genre deconstruction genuinely sharp, others felt the film was too in love with its own outrageousness to land any real critique.
“A ridiculously entertaining, perfectly paced, ultra-violent cinematic rush that kicks the places other movies struggle to reach. ... the film's violence is clearly fantastical and cartoonish and not to be taken seriously.”
Chris Hewitt·Empire
“Fast, periodically spit-funny and often grotesquely violent, the film at once embraces and satirizes contemporary action-film clichés with Tarantino-esque self-regard.”
Manohla Dargis·The New York Times
“Never as shocking as it thinks it is, as funny as it should be, or as engaged in cultural critique as it could be, Kick-Ass is half-assed.”
Karina Longworth·Village Voice
“When kids in the age range of this movie's home video audience are shooting one another every day in America, that kind of stops being funny.”
Roger Ebert·Chicago Sun-Times
“Matthew Vaughn's Kick Ass is hollow, glazed, and not quite there.”
Tim Robey·The Daily Telegraph
Action, Comedy, Crime
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