Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
Love, Simon lands as a warm, crowd-pleasing teen romantic comedy that many critics celebrated as a long-overdue milestone for queer representation in mainstream studio filmmaking. The John Hughes comparisons were inescapable — and largely meant as praise — but a handful of critics felt the film's safety and familiarity were precisely its limitations, delivering inclusion without much formal ambition. The gap between the near-universal affection audiences showed and the more measured critical response captures the divide: some saw the genre conventions as comforting and universal, others as second-rate.
“marks an important first, even if the movie is pretty much average in all other respects”
Peter Debruge·Variety
“touching as a gesture”
The A.V. Club
“The casting is high quality, the script – with a tantalizing mystery at its heart – is particularly well-crafted and the story hits all the right emotional notes in delivering a funny, warm-hearted and life-affirming tale”
Bruce Demara·Toronto Star
“sweet, modern romantic comedy that manages to channel the teen movie classics of the late John Hughes, but only the good stuff”
Meredith Goldstein·The Boston Globe
Comedy, Drama, Romance
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
Love, Simon lands as a warm, crowd-pleasing teen romantic comedy that many critics celebrated as a long-overdue milestone for queer representation in mainstream studio filmmaking. The John Hughes comparisons were inescapable — and largely meant as praise — but a handful of critics felt the film's safety and familiarity were precisely its limitations, delivering inclusion without much formal ambition. The gap between the near-universal affection audiences showed and the more measured critical response captures the divide: some saw the genre conventions as comforting and universal, others as second-rate.
“marks an important first, even if the movie is pretty much average in all other respects”
Peter Debruge·Variety
“touching as a gesture”
The A.V. Club
“The casting is high quality, the script – with a tantalizing mystery at its heart – is particularly well-crafted and the story hits all the right emotional notes in delivering a funny, warm-hearted and life-affirming tale”
Bruce Demara·Toronto Star
“sweet, modern romantic comedy that manages to channel the teen movie classics of the late John Hughes, but only the good stuff”
Meredith Goldstein·The Boston Globe
Comedy, Drama, Romance