Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the sport is thrown into doubt when her ex-husband intervenes.
Broadly well-received, the film earns most of its praise through the energy of its performances — particularly Allison Janney's ferocious LaVona — and its willingness to treat Harding's story as both dark comedy and class tragedy. The sharpest critical fault line runs through the film's relationship to its subject: admirers felt the filmmakers balanced affectionate mockery with genuine empathy, while detractors argued the working-class milieu is played for laughs in a way that ultimately replicates the condescension the film claims to critique. A smaller but notable strand of criticism came from journalists who covered the real events and felt the film bent facts to flatter Harding.
“an irresistible, soapy mix of jealousy, competition and class warfare, fortified by powerful performances and unexpected emotional resonance”
Christy Lemire·RogerEbert.com
“treats Tonya's background, her tastes, her habits, her way of talking, as a joke... The result is a film that's as derisive and dismissive toward Tonya Harding as it shows the world at large to have been”
Richard Brody·The New Yorker
“sympathetic but clear-eyed, foul-mouthed but fair-minded”
Ty Burr·The Boston Globe
“the movie certainly doesn't worry about letting facts get in the way of a good story or bother to tell you that the only person Tonya has to blame...is herself”
Christine Brennan·USA Today
Biography, Comedy, Drama
Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the sport is thrown into doubt when her ex-husband intervenes.
Broadly well-received, the film earns most of its praise through the energy of its performances — particularly Allison Janney's ferocious LaVona — and its willingness to treat Harding's story as both dark comedy and class tragedy. The sharpest critical fault line runs through the film's relationship to its subject: admirers felt the filmmakers balanced affectionate mockery with genuine empathy, while detractors argued the working-class milieu is played for laughs in a way that ultimately replicates the condescension the film claims to critique. A smaller but notable strand of criticism came from journalists who covered the real events and felt the film bent facts to flatter Harding.
“an irresistible, soapy mix of jealousy, competition and class warfare, fortified by powerful performances and unexpected emotional resonance”
Christy Lemire·RogerEbert.com
“treats Tonya's background, her tastes, her habits, her way of talking, as a joke... The result is a film that's as derisive and dismissive toward Tonya Harding as it shows the world at large to have been”
Richard Brody·The New Yorker
“sympathetic but clear-eyed, foul-mouthed but fair-minded”
Ty Burr·The Boston Globe
“the movie certainly doesn't worry about letting facts get in the way of a good story or bother to tell you that the only person Tonya has to blame...is herself”
Christine Brennan·USA Today
Biography, Comedy, Drama
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