Over many missions and against impossible odds, Dom Toretto and his family have outsmarted, out-nerved and outdriven every foe in their path. Now, they confront the most lethal opponent they've ever faced: A terrifying threat emerging from the shadows of the past who's fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever.
Critics split sharply over Fast X, with Jason Momoa's campy villain performance earning near-universal praise while almost everything around him drew fire: a bloated ensemble that critics said reduced legacy characters to glorified cameos, a screenplay that couldn't hold its set pieces together, and direction accused of trading coherence for spectacle. Franchise diehards may enjoy the self-aware absurdity, but detractors found it closer to self-parody.
“plays Dante like [the] Fast & Furious version of The Joker”
Eric Eisenberg·CinemaBlend
“[He] comes across as more of a preening, performance-art, sociopathic clown than a truly menacing villain”
Richard Roeper·Chicago Sun-Times
“[Dom and Dante's] conflict ends up feeling like something that was mapped out on paper, but was not crafted tightly enough for on-screen”
Charles Pulliam-Moore·The Verge
“plays like it was made by an AI versed in the existing [films] but not quite up to spitting out something coherent itself”
Alison Willmore·Vulture
“Leterrier rarely misses an opportunity to shred the storyline [to] end up with confetti, serving ridiculous action scenes [that] require much narrative corner-cutting”
Kyle Smith·The Wall Street Journal
Action, Crime, Thriller
Over many missions and against impossible odds, Dom Toretto and his family have outsmarted, out-nerved and outdriven every foe in their path. Now, they confront the most lethal opponent they've ever faced: A terrifying threat emerging from the shadows of the past who's fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever.
Critics split sharply over Fast X, with Jason Momoa's campy villain performance earning near-universal praise while almost everything around him drew fire: a bloated ensemble that critics said reduced legacy characters to glorified cameos, a screenplay that couldn't hold its set pieces together, and direction accused of trading coherence for spectacle. Franchise diehards may enjoy the self-aware absurdity, but detractors found it closer to self-parody.
“plays Dante like [the] Fast & Furious version of The Joker”
Eric Eisenberg·CinemaBlend
“[He] comes across as more of a preening, performance-art, sociopathic clown than a truly menacing villain”
Richard Roeper·Chicago Sun-Times
“[Dom and Dante's] conflict ends up feeling like something that was mapped out on paper, but was not crafted tightly enough for on-screen”
Charles Pulliam-Moore·The Verge
“plays like it was made by an AI versed in the existing [films] but not quite up to spitting out something coherent itself”
Alison Willmore·Vulture
“Leterrier rarely misses an opportunity to shred the storyline [to] end up with confetti, serving ridiculous action scenes [that] require much narrative corner-cutting”
Kyle Smith·The Wall Street Journal
Action, Crime, Thriller