A priest with a dark past and a novice nearing her final vows are sent by the Vatican to Romania to investigate a nun's death and face a demonic force.
Critics largely panned The Nun as a horror film that substitutes jump scares and atmospheric window-dressing for genuine dread, with its narrative logic collapsing under scrutiny. The Gothic setting and occasional visual flair earned some defenders, but most found the exposition clumsy and the suspense absent — a rare case where audience reception was almost as cold as the critical drubbing.
“By overly relying on jump scares, The Nun uses a mechanical approach toward instilling fear rather than a more profound understanding of terror.”
Matthew Rozsa·Salon
“Specters and hallucinations appear without consistent narrative logic.”
Ben Kenigsberg·The New York Times
Horror
A priest with a dark past and a novice nearing her final vows are sent by the Vatican to Romania to investigate a nun's death and face a demonic force.
Critics largely panned The Nun as a horror film that substitutes jump scares and atmospheric window-dressing for genuine dread, with its narrative logic collapsing under scrutiny. The Gothic setting and occasional visual flair earned some defenders, but most found the exposition clumsy and the suspense absent — a rare case where audience reception was almost as cold as the critical drubbing.
“By overly relying on jump scares, The Nun uses a mechanical approach toward instilling fear rather than a more profound understanding of terror.”
Matthew Rozsa·Salon
“Specters and hallucinations appear without consistent narrative logic.”
Ben Kenigsberg·The New York Times
Horror