Though safely entombed in a crypt deep beneath the unforgiving desert, an ancient queen whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.
Critics were nearly unanimous in their contempt, finding the film a tonally incoherent, derivative mess more interested in laying groundwork for a cinematic universe than functioning as a coherent monster movie. The central tension most reviewers identified was Tom Cruise himself: his star persona and need to play a clean-cut hero fundamentally clashing with the darker, more ambiguous material the story demanded. Empire stood nearly alone in offering a measured defense, while the overwhelming majority treated it as one of Cruise's worst films and a cynical franchise-building exercise.
“It's one thing to excavate the iconography of old Hollywood, it's another to exploit it. This isn't filmmaking, it's tomb-raiding.”
David Ehrlich·IndieWire
“The problem at its heart is that the reality of what the movie is—a Tom Cruise vehicle—is at war with the material. The actor, at 54, is still playing that old Cruise trope, the selfish cocky semi-scoundrel who has to grow up. ... The trouble is that Cruise, at least in a high-powered potboiler like this one, is so devoted to maintaining his image as a clear and wholesome hero that his flirtation with the dark side is almost entirely theoretical.”
Owen Gleiberman·Variety
“I found something almost admirable about the film's cheek. It's [so] amazingly relentless in its naked borrowing from other, better horror and sci-fi movies that I was able to keep occupied making a checklist of the movies referenced.”
Glen Kenny·RogerEbert.com
“a mish-mash of wildly varying tones and plot strands, from its convoluted beginning to its shameless non-end. Tom Cruise's new film barely qualifies as a film at all. None of it makes sense.”
Nicholas Barber·BBC World News Culture
Fantasy, Thriller, Action, Adventure, Horror
Though safely entombed in a crypt deep beneath the unforgiving desert, an ancient queen whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.
Critics were nearly unanimous in their contempt, finding the film a tonally incoherent, derivative mess more interested in laying groundwork for a cinematic universe than functioning as a coherent monster movie. The central tension most reviewers identified was Tom Cruise himself: his star persona and need to play a clean-cut hero fundamentally clashing with the darker, more ambiguous material the story demanded. Empire stood nearly alone in offering a measured defense, while the overwhelming majority treated it as one of Cruise's worst films and a cynical franchise-building exercise.
“It's one thing to excavate the iconography of old Hollywood, it's another to exploit it. This isn't filmmaking, it's tomb-raiding.”
David Ehrlich·IndieWire
“The problem at its heart is that the reality of what the movie is—a Tom Cruise vehicle—is at war with the material. The actor, at 54, is still playing that old Cruise trope, the selfish cocky semi-scoundrel who has to grow up. ... The trouble is that Cruise, at least in a high-powered potboiler like this one, is so devoted to maintaining his image as a clear and wholesome hero that his flirtation with the dark side is almost entirely theoretical.”
Owen Gleiberman·Variety
“I found something almost admirable about the film's cheek. It's [so] amazingly relentless in its naked borrowing from other, better horror and sci-fi movies that I was able to keep occupied making a checklist of the movies referenced.”
Glen Kenny·RogerEbert.com
“a mish-mash of wildly varying tones and plot strands, from its convoluted beginning to its shameless non-end. Tom Cruise's new film barely qualifies as a film at all. None of it makes sense.”
Nicholas Barber·BBC World News Culture
Fantasy, Thriller, Action, Adventure, Horror