Buddy is a young boy on the cusp of adolescence, whose life is filled with familial love, childhood hijinks, and a blossoming romance. Yet, with his beloved hometown caught up in increasing turmoil, his family faces a momentous choice: hope the conflict will pass or leave everything they know behind for a new life.
Branagh's semi-autobiographical memoir of 1960s Belfast earns genuine warmth from its performances and its black-and-white visual polish, but critics split sharply on whether the film earns that warmth or simply bathes in it. Admirers found the nostalgia transportive and the community detail richly observed; detractors argued the Troubles-era backdrop gets smoothed into a crowd-pleasing softness that drains the material of its real weight.
“It's a film of formal beauty, letter-perfect performances, complex and textured writing (also from Branagh) and enough comedic one-lines and Van Morrison musical montages to make you forget that you are watching a drama about seething sectarian hatreds”
Kevin Maher·The Times
“The film feels true in the way it must be exploring Branagh's memories of a tumultuous and confusing time, and the way it pays tribute to a vibrant community as that community is irrevocably changed.”
Steve Pond·TheWrap
“Branagh's genuine affection and nostalgia for his subject suffuse the movie; if only the misty romanticism of his story could match it”
Leah Greenblatt·Entertainment Weekly
“It was the best of times, it was the worst of times, and this scattershot crowd-pleaser renders them both in such broad strokes that it seems as if Branagh can only imagine the Belfast of his youth as a brogue-accented blend of other movies like it.”
David Ehrlich·IndieWire
Drama, History
Buddy is a young boy on the cusp of adolescence, whose life is filled with familial love, childhood hijinks, and a blossoming romance. Yet, with his beloved hometown caught up in increasing turmoil, his family faces a momentous choice: hope the conflict will pass or leave everything they know behind for a new life.
Branagh's semi-autobiographical memoir of 1960s Belfast earns genuine warmth from its performances and its black-and-white visual polish, but critics split sharply on whether the film earns that warmth or simply bathes in it. Admirers found the nostalgia transportive and the community detail richly observed; detractors argued the Troubles-era backdrop gets smoothed into a crowd-pleasing softness that drains the material of its real weight.
“It's a film of formal beauty, letter-perfect performances, complex and textured writing (also from Branagh) and enough comedic one-lines and Van Morrison musical montages to make you forget that you are watching a drama about seething sectarian hatreds”
Kevin Maher·The Times
“The film feels true in the way it must be exploring Branagh's memories of a tumultuous and confusing time, and the way it pays tribute to a vibrant community as that community is irrevocably changed.”
Steve Pond·TheWrap
“Branagh's genuine affection and nostalgia for his subject suffuse the movie; if only the misty romanticism of his story could match it”
Leah Greenblatt·Entertainment Weekly
“It was the best of times, it was the worst of times, and this scattershot crowd-pleaser renders them both in such broad strokes that it seems as if Branagh can only imagine the Belfast of his youth as a brogue-accented blend of other movies like it.”
David Ehrlich·IndieWire
Drama, History
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