Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
Ari Aster's sun-drenched folk horror earned broadly favorable notices, but critics were genuinely split on whether its ambitions hold together: some found it a visionary, operatic breakup film, while others argued the thematic layers collapse into incoherence and the central characters are too thin to carry the weight. Florence Pugh's performance drew near-universal admiration even from detractors.
“neither the masterpiece nor the disaster that the film's most vocal viewers are bound to claim. Rather, it's an admirably strange, thematically muddled curiosity from a talented filmmaker who allows his ambitions to outpace his execution.”
Andrew Barker·Variety
“doesn't jell because its impulses are so bifurcated. It's a parable of a woman's religious awakening—that's also a woman's fantasy of revenge against a man who didn't meet her emotional needs—that's also a male director's masochistic fantasy of emasculation at the hands of a matriarchal cult.”
David Edelstein·Vulture
“A savage yet evolved slice of Swedish folk-horror, Ari Aster's hallucinatory follow-up to Hereditary proves him a horror director with no peer.”
Joshua Rothkopf·Time Out
“terrifically juicy, apocalyptic cinematic sacrament that dances around a fruitless relationship in dizzying circles”
Tomris Laffly·RogerEbert.com
Horror, Drama, Mystery
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
Ari Aster's sun-drenched folk horror earned broadly favorable notices, but critics were genuinely split on whether its ambitions hold together: some found it a visionary, operatic breakup film, while others argued the thematic layers collapse into incoherence and the central characters are too thin to carry the weight. Florence Pugh's performance drew near-universal admiration even from detractors.
“neither the masterpiece nor the disaster that the film's most vocal viewers are bound to claim. Rather, it's an admirably strange, thematically muddled curiosity from a talented filmmaker who allows his ambitions to outpace his execution.”
Andrew Barker·Variety
“doesn't jell because its impulses are so bifurcated. It's a parable of a woman's religious awakening—that's also a woman's fantasy of revenge against a man who didn't meet her emotional needs—that's also a male director's masochistic fantasy of emasculation at the hands of a matriarchal cult.”
David Edelstein·Vulture
“A savage yet evolved slice of Swedish folk-horror, Ari Aster's hallucinatory follow-up to Hereditary proves him a horror director with no peer.”
Joshua Rothkopf·Time Out
“terrifically juicy, apocalyptic cinematic sacrament that dances around a fruitless relationship in dizzying circles”
Tomris Laffly·RogerEbert.com
Horror, Drama, Mystery