Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
David Gordon Green's direct sequel earns cautious approval for stripping away decades of convoluted mythology and returning to the stripped-down cat-and-mouse formula of Carpenter's original, with Jamie Lee Curtis's Laurie Strode as the clear standout. The core dispute is whether that act of nostalgia-driven simplification is itself a virtue or a cop-out — admirers find it refreshingly focused, while detractors argue the film never matches the tautness and atmosphere of the film it's so clearly worshipping.
“not very good or tightly-directed, and it fails as a character play and a scary movie”
Scott Mendelson·Forbes
“Carpenter's own Halloween was itself a bumpy ride, made on the cheap, but carried along by the director's firm grasp on his potent themes. The new one works overtime to keep them intact, while communing with the first installment in every possible way — from that famously creepy synth score to the blocky orange credits that bookend the story”
Eric Kohn·IndieWire
“Halloween pays loving and respectful homage to the 1978 original while making a very bold and decisive claim for its own existence [...] this is quite possibly the scariest Michael Myers has ever been”
Jonathan Barkan·Dread Central
Horror, Thriller
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
David Gordon Green's direct sequel earns cautious approval for stripping away decades of convoluted mythology and returning to the stripped-down cat-and-mouse formula of Carpenter's original, with Jamie Lee Curtis's Laurie Strode as the clear standout. The core dispute is whether that act of nostalgia-driven simplification is itself a virtue or a cop-out — admirers find it refreshingly focused, while detractors argue the film never matches the tautness and atmosphere of the film it's so clearly worshipping.
“not very good or tightly-directed, and it fails as a character play and a scary movie”
Scott Mendelson·Forbes
“Carpenter's own Halloween was itself a bumpy ride, made on the cheap, but carried along by the director's firm grasp on his potent themes. The new one works overtime to keep them intact, while communing with the first installment in every possible way — from that famously creepy synth score to the blocky orange credits that bookend the story”
Eric Kohn·IndieWire
“Halloween pays loving and respectful homage to the 1978 original while making a very bold and decisive claim for its own existence [...] this is quite possibly the scariest Michael Myers has ever been”
Jonathan Barkan·Dread Central
Horror, Thriller