Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.
A serviceable but divisive follow-up to Denis Villeneuve's original, Day of the Soldado earns credit for Stefano Solima's kinetic direction and the lead performances, but critics were sharply split over whether its stripped-down, Emily Blunt-free machismo reveals moral complexity or simply traffics in harmful stereotypes and xenophobic fantasy.
“Soldado may not be as masterful as Villeneuve's original, but it sets up a world of possibilities for elaborating on a complex conflict far too rich to be resolved in two hours.”
Peter Debruge·Variety
“So Sicario 2 is junk, but it's terrifically stylish junk. Director Stefano Solima has worked in Italian crime thrillers, and he brings run-and-gun humanity to this, suggesting complexities of border society where the first film defaulted to moody hellscapery”
Darren Franich·Entertainment Weekly
“Although she has enough teen-beat orneriness to kick both Matt's and Alejandro's butts, the movie doesn't let her.”
Stephanie Zacharek·Time
Action, Crime, Thriller
Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.
A serviceable but divisive follow-up to Denis Villeneuve's original, Day of the Soldado earns credit for Stefano Solima's kinetic direction and the lead performances, but critics were sharply split over whether its stripped-down, Emily Blunt-free machismo reveals moral complexity or simply traffics in harmful stereotypes and xenophobic fantasy.
“Soldado may not be as masterful as Villeneuve's original, but it sets up a world of possibilities for elaborating on a complex conflict far too rich to be resolved in two hours.”
Peter Debruge·Variety
“So Sicario 2 is junk, but it's terrifically stylish junk. Director Stefano Solima has worked in Italian crime thrillers, and he brings run-and-gun humanity to this, suggesting complexities of border society where the first film defaulted to moody hellscapery”
Darren Franich·Entertainment Weekly
“Although she has enough teen-beat orneriness to kick both Matt's and Alejandro's butts, the movie doesn't let her.”
Stephanie Zacharek·Time
Action, Crime, Thriller