Genius Belgian detective Hercule Poirot investigates the murder of an American tycoon aboard the Orient Express train.
Branagh's adaptation lands in definitively mixed territory, with most critics agreeing the film is gorgeous to look at and boasts an enviable cast, while disagreeing sharply on whether those assets are enough. The central fault line runs between those who found it a pleasurable, faithful crowd-pleaser and those who felt the visual showmanship actively smothered the mystery's tension — and that Branagh's reimagining of Poirot as a man of obsessive compulsions flattens rather than deepens the character. Several negative reviews converge on the same complaint: the all-star ensemble is systematically wasted, each reduced to a single distinguishing quirk while the camera stays locked on Branagh himself.
“a lushly old-fashioned adaptation wrapped in a veritable turducken of pearls, monocles, and international movie stars”
Leah Greenblatt·Entertainment Weekly
“Never let it be said the director misses an opportunity to place his star front and center, unfortunately relegating just about everyone else in the obligatory international all-star cast to a paper-thin character with one or at most two defining personality traits.”
Richard Roeper·Chicago Sun-Times
“erratic direction—more interested in cut glass and overhead shots than in suspicions and uncertainties—bungles both the perfect puzzle logic of the crime and its devious solution”
Ignatiy Vishnevetsky·The A.V. Club
“visually sumptuous yet otherwise inert”
Christopher Orr·The Atlantic
Mystery, Drama, Crime
Genius Belgian detective Hercule Poirot investigates the murder of an American tycoon aboard the Orient Express train.
Branagh's adaptation lands in definitively mixed territory, with most critics agreeing the film is gorgeous to look at and boasts an enviable cast, while disagreeing sharply on whether those assets are enough. The central fault line runs between those who found it a pleasurable, faithful crowd-pleaser and those who felt the visual showmanship actively smothered the mystery's tension — and that Branagh's reimagining of Poirot as a man of obsessive compulsions flattens rather than deepens the character. Several negative reviews converge on the same complaint: the all-star ensemble is systematically wasted, each reduced to a single distinguishing quirk while the camera stays locked on Branagh himself.
“a lushly old-fashioned adaptation wrapped in a veritable turducken of pearls, monocles, and international movie stars”
Leah Greenblatt·Entertainment Weekly
“Never let it be said the director misses an opportunity to place his star front and center, unfortunately relegating just about everyone else in the obligatory international all-star cast to a paper-thin character with one or at most two defining personality traits.”
Richard Roeper·Chicago Sun-Times
“erratic direction—more interested in cut glass and overhead shots than in suspicions and uncertainties—bungles both the perfect puzzle logic of the crime and its devious solution”
Ignatiy Vishnevetsky·The A.V. Club
“visually sumptuous yet otherwise inert”
Christopher Orr·The Atlantic
Mystery, Drama, Crime