A young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven.
Paddington landed as one of the bigger pleasant surprises of its year — a CGI-live-action adaptation that easily could have been a cynical cash-in but turned out warm, witty, and genuinely funny for both children and adults. Paul King's direction won consistent praise for its comic set-pieces and visual invention, though Geoffrey Macnab at The Independent voiced the main dissent: that the screenplay is too bitty and flimsy to hold those set-pieces together into a sustained whole. Nearly everyone else found that charm carried the day.
“film of considerable charm but one undermined by a very bitty and flimsy screenplay. Writer-director Paul King has more flair for comic set-pieces than he does for sustained narrative.”
Geoffrey Macnab·The Independent
“A gloriously whimsical big-screen debut that's closer to the madcap spirit of the Muppets and the lovingly rendered style of a Wes Anderson film than to standard multiplex family fodder.”
Jason Clark·Entertainment Weekly
“If the film seems head-and-shoulders above the average effects-driven family-matinee flick, it's because it never gives the impression that it's trying to be anything more (or less) than good-natured and fun to watch.”
Ignatiy Vishnevetsky·The A.V. Club
“Paddington's journey from South America to London is just droll enough for adults – qualifying as a gentle parable about xenophobia – and exuberant enough for the youngest viewers.”
Claudia Puig·USA Today
“the new CGI-live-action Paddington Bear could easily have been another garish, cheapo Brit-movie. Instead, writer-director Paul King ... and co-writer Hamish McColl have created a charming and sweet-natured family film, full of wit and fun, skewed towards young children but cheekily speckled with sly gags pitched at the older audience.”
Peter Bradshaw·The Guardian
Comedy, Adventure, Family
A young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven.
Paddington landed as one of the bigger pleasant surprises of its year — a CGI-live-action adaptation that easily could have been a cynical cash-in but turned out warm, witty, and genuinely funny for both children and adults. Paul King's direction won consistent praise for its comic set-pieces and visual invention, though Geoffrey Macnab at The Independent voiced the main dissent: that the screenplay is too bitty and flimsy to hold those set-pieces together into a sustained whole. Nearly everyone else found that charm carried the day.
“film of considerable charm but one undermined by a very bitty and flimsy screenplay. Writer-director Paul King has more flair for comic set-pieces than he does for sustained narrative.”
Geoffrey Macnab·The Independent
“A gloriously whimsical big-screen debut that's closer to the madcap spirit of the Muppets and the lovingly rendered style of a Wes Anderson film than to standard multiplex family fodder.”
Jason Clark·Entertainment Weekly
“If the film seems head-and-shoulders above the average effects-driven family-matinee flick, it's because it never gives the impression that it's trying to be anything more (or less) than good-natured and fun to watch.”
Ignatiy Vishnevetsky·The A.V. Club
“Paddington's journey from South America to London is just droll enough for adults – qualifying as a gentle parable about xenophobia – and exuberant enough for the youngest viewers.”
Claudia Puig·USA Today
“the new CGI-live-action Paddington Bear could easily have been another garish, cheapo Brit-movie. Instead, writer-director Paul King ... and co-writer Hamish McColl have created a charming and sweet-natured family film, full of wit and fun, skewed towards young children but cheekily speckled with sly gags pitched at the older audience.”
Peter Bradshaw·The Guardian
Comedy, Adventure, Family