Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.
One of the most widely panned entries in a long-running franchise, the fifth Die Hard film was savaged by critics for hollow action, an underdeveloped McClane, and direction that drains tension from even the largest set pieces. The rare defenders found it passable franchise product, but the gap between critical contempt and audience tolerance is stark and telling.
“a handful of extended set pieces—each more elaborate and therefore somehow less exciting than the last—linked by a simple-minded plot and a handful of half-clever lines”
A. O. Scott·The New York Times
“McClane has been stripped of any real traces of an actual three-dimensional character”
Richard Roeper·Rogerebert.suntimes.com
“Yet even though the ride finally stalls, A Good Day To Die Hard has been thrustingly outrageous enough in its earlier moments to coast to the finish line on momentum”
Robbie Collin·The Daily Telegraph
“continues the franchise without undue embarrassment”
Rick Groen·The Globe and Mail
Action, Thriller
Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.
One of the most widely panned entries in a long-running franchise, the fifth Die Hard film was savaged by critics for hollow action, an underdeveloped McClane, and direction that drains tension from even the largest set pieces. The rare defenders found it passable franchise product, but the gap between critical contempt and audience tolerance is stark and telling.
“a handful of extended set pieces—each more elaborate and therefore somehow less exciting than the last—linked by a simple-minded plot and a handful of half-clever lines”
A. O. Scott·The New York Times
“McClane has been stripped of any real traces of an actual three-dimensional character”
Richard Roeper·Rogerebert.suntimes.com
“Yet even though the ride finally stalls, A Good Day To Die Hard has been thrustingly outrageous enough in its earlier moments to coast to the finish line on momentum”
Robbie Collin·The Daily Telegraph
“continues the franchise without undue embarrassment”
Rick Groen·The Globe and Mail
Action, Thriller