A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
Martin McDonagh's meta-comedy earned broadly positive notices for its sharp dialogue, gleeful violence, and a cast that critics loved watching — Walken in particular was repeatedly singled out as a late-career highlight. Where reviewers diverged was on whether the self-aware, genre-dissecting structure ultimately holds together or collapses into self-indulgence by the final act, with several finding the cleverness more exhausting than exhilarating and noting it falls short of McDonagh's tighter earlier work.
“A less controlled and slapdash character piece than In Bruges, McDonagh's new movie benefits greatly from a plethora of one-liners that toy with crime movie clichés in the unlikely context of writerly obsessions.”
Eric Kohn·IndieWire
“absurdly entertaining even after it disappears up its own hindquarters in the last act, and it gives some of our weirder actors ample room to play.”
Ty Burr·Boston Globe
“It's at once a gangster movie, a buddy comedy, and a meta-fictional exploration of the limits of both genres - and if that sounds impossible to pull off, well, McDonagh doesn't, quite. But the pure sick brio of Seven Psychopaths takes it a long way.”
Dana Stevens·Slate
“compared to McDonagh's best work for stage (The Lieutenant of Inishmore) and screen (In Bruges), Seven Psychopaths feels like either an older script knocking around the bottom of a drawer or a new one hastily tossed off between more ambitious projects.”
Peter Debruge·Variety
“while it's way behind the Pulp Fiction curve, Seven Psychopaths can be terrifically entertaining.”
David Rooney·The Hollywood Reporter
Comedy, Crime
A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
Martin McDonagh's meta-comedy earned broadly positive notices for its sharp dialogue, gleeful violence, and a cast that critics loved watching — Walken in particular was repeatedly singled out as a late-career highlight. Where reviewers diverged was on whether the self-aware, genre-dissecting structure ultimately holds together or collapses into self-indulgence by the final act, with several finding the cleverness more exhausting than exhilarating and noting it falls short of McDonagh's tighter earlier work.
“A less controlled and slapdash character piece than In Bruges, McDonagh's new movie benefits greatly from a plethora of one-liners that toy with crime movie clichés in the unlikely context of writerly obsessions.”
Eric Kohn·IndieWire
“absurdly entertaining even after it disappears up its own hindquarters in the last act, and it gives some of our weirder actors ample room to play.”
Ty Burr·Boston Globe
“It's at once a gangster movie, a buddy comedy, and a meta-fictional exploration of the limits of both genres - and if that sounds impossible to pull off, well, McDonagh doesn't, quite. But the pure sick brio of Seven Psychopaths takes it a long way.”
Dana Stevens·Slate
“compared to McDonagh's best work for stage (The Lieutenant of Inishmore) and screen (In Bruges), Seven Psychopaths feels like either an older script knocking around the bottom of a drawer or a new one hastily tossed off between more ambitious projects.”
Peter Debruge·Variety
“while it's way behind the Pulp Fiction curve, Seven Psychopaths can be terrifically entertaining.”
David Rooney·The Hollywood Reporter
Comedy, Crime