When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging Western town of Dirt, the theater-loving lizard suddenly finds himself the newly appointed sheriff. Welcomed as the last hope the town has been waiting for, Rango is forced to play his new role to the hilt and uncover the truth behind a looming water crisis—before his act catches up with him.
Rango won over most critics as an unusually literary, film-buff-friendly animated western — a genre commentary packed with Leone, Chinatown, and Chuck Jones references rather than the usual kiddie-movie comfort food. The animation and visuals drew near-universal admiration, but the narrative was a genuine fault line: some saw the loose, picaresque structure as freewheeling and inspired, while others found it dramatically inert or, more bluntly, soulless. Audience reaction was notably cooler than the critical embrace, with adults in particular less charmed than reviewers expected.
“Rango's not just a kiddie-flick (though it has enough silly slapstick to qualify as a pretty good one). It's a real movie lover's movie, conceived as a Blazing Saddles-like comic commentary on genre that's as back-lot savvy as it is light in the saddle.”
Bob Mondello·National Public Radio
“some kind of a miracle: An animated comedy for smart moviegoers, wonderfully made, great to look at, wickedly satirical”
Roger Ebert·Chicago Sun-Times
“The narrative isn't really dramatic, ... [but] more like a succession of picturesque notions that might have flowed from DreamWorks or Pixar while their story departments were out to lunch.”
Joe Morgenstern·The Wall Street Journal
Animation, Comedy, Family, Western, Adventure
When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging Western town of Dirt, the theater-loving lizard suddenly finds himself the newly appointed sheriff. Welcomed as the last hope the town has been waiting for, Rango is forced to play his new role to the hilt and uncover the truth behind a looming water crisis—before his act catches up with him.
Rango won over most critics as an unusually literary, film-buff-friendly animated western — a genre commentary packed with Leone, Chinatown, and Chuck Jones references rather than the usual kiddie-movie comfort food. The animation and visuals drew near-universal admiration, but the narrative was a genuine fault line: some saw the loose, picaresque structure as freewheeling and inspired, while others found it dramatically inert or, more bluntly, soulless. Audience reaction was notably cooler than the critical embrace, with adults in particular less charmed than reviewers expected.
“Rango's not just a kiddie-flick (though it has enough silly slapstick to qualify as a pretty good one). It's a real movie lover's movie, conceived as a Blazing Saddles-like comic commentary on genre that's as back-lot savvy as it is light in the saddle.”
Bob Mondello·National Public Radio
“some kind of a miracle: An animated comedy for smart moviegoers, wonderfully made, great to look at, wickedly satirical”
Roger Ebert·Chicago Sun-Times
“The narrative isn't really dramatic, ... [but] more like a succession of picturesque notions that might have flowed from DreamWorks or Pixar while their story departments were out to lunch.”
Joe Morgenstern·The Wall Street Journal
Animation, Comedy, Family, Western, Adventure
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