For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers... permanently.
The cast — especially Charlie Day and the three villainous bosses — earns most of the goodwill here, with critics largely agreeing that the ensemble's chemistry carries a script that doesn't always deserve it. The deeper fault line runs between those who found the raunchiness energetic and those who felt the film chickens out on its own dark premise, pulling punches on race, gender, and genuine menace.
“succeeds almost entirely on the chemistry of its three leads, who remain likeable even while resorting to homicide”
Nathan Rabin·The A.V. Club
“it wussies out on a sharp premise”
Peter Travers·Rolling Stone
“a lumbering, misogynistic affair”
Philip French·The Guardian
“Seth Gordon shows no flair for turning the absurdities and cartoonish characters in the script...into anything more than a collection of moments in search of laughs.”
Kirk Honeycutt·The Hollywood Reporter
“a bouncy, well-built, delightfully nasty tale of resentment, desperation, and amoral revenge”
Lisa Schwarzbaum·Entertainment Weekly
Comedy, Crime
For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers... permanently.
The cast — especially Charlie Day and the three villainous bosses — earns most of the goodwill here, with critics largely agreeing that the ensemble's chemistry carries a script that doesn't always deserve it. The deeper fault line runs between those who found the raunchiness energetic and those who felt the film chickens out on its own dark premise, pulling punches on race, gender, and genuine menace.
“succeeds almost entirely on the chemistry of its three leads, who remain likeable even while resorting to homicide”
Nathan Rabin·The A.V. Club
“it wussies out on a sharp premise”
Peter Travers·Rolling Stone
“a lumbering, misogynistic affair”
Philip French·The Guardian
“Seth Gordon shows no flair for turning the absurdities and cartoonish characters in the script...into anything more than a collection of moments in search of laughs.”
Kirk Honeycutt·The Hollywood Reporter
“a bouncy, well-built, delightfully nasty tale of resentment, desperation, and amoral revenge”
Lisa Schwarzbaum·Entertainment Weekly
Comedy, Crime