A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
Critics were split almost evenly on The Book of Eli, with most agreeing that the Hughes Brothers bring visual style to a well-worn post-apocalyptic landscape but disagreeing sharply on whether the film's religious themes and slow burn deliver anything beyond surface spectacle. Washington and Gary Oldman's face-off drew more consistent appreciation than the world they inhabit, while the film's overt religiosity struck some as meaningfully complicated and others as deadening.
“You won't be sorry you went. It grips your attention, and then at the end throws in several WTF! moments, which are a bonus.”
Roger Ebert·Chicago Sun-Times
“At a time when theaters are experiencing a glut of doomsday scenarios, the Hughes' ashen, bombed-out future world looks a little too familiar, no matter how crisply they present it. But the showdown between Washington and a deliciously hammy Oldman complicates the film's overt religiosity”
Scott Tobias·The A.V. Club
“a ponderous dystopian bummer that might be described as The Road Warrior [Mad Max 2] without car chases, or The Road without humanity”
Owen Gleiberman·Entertainment Weekly
Action, Thriller, Science Fiction
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
Critics were split almost evenly on The Book of Eli, with most agreeing that the Hughes Brothers bring visual style to a well-worn post-apocalyptic landscape but disagreeing sharply on whether the film's religious themes and slow burn deliver anything beyond surface spectacle. Washington and Gary Oldman's face-off drew more consistent appreciation than the world they inhabit, while the film's overt religiosity struck some as meaningfully complicated and others as deadening.
“You won't be sorry you went. It grips your attention, and then at the end throws in several WTF! moments, which are a bonus.”
Roger Ebert·Chicago Sun-Times
“At a time when theaters are experiencing a glut of doomsday scenarios, the Hughes' ashen, bombed-out future world looks a little too familiar, no matter how crisply they present it. But the showdown between Washington and a deliciously hammy Oldman complicates the film's overt religiosity”
Scott Tobias·The A.V. Club
“a ponderous dystopian bummer that might be described as The Road Warrior [Mad Max 2] without car chases, or The Road without humanity”
Owen Gleiberman·Entertainment Weekly
Action, Thriller, Science Fiction