After 10 years in prison, Driver is now a free man with a single focus - hunting down the people responsible for brutally murdering his brother.
A lean revenge thriller that critics found too thin to fully satisfy, Faster earns points for putting Dwayne Johnson back in bruising, no-nonsense action mode but squanders the goodwill with a cluttered supporting plot, shaky religious themes, and a narrative that critics repeatedly described as stumbling rather than speeding. The lean-and-mean approach divided reviewers: some appreciated its stripped-down pulp efficiency, others found it simply underdeveloped.
“Rotate the plot, change the period, spruce up the dialogue, and this could have been a hard boiled 1940s noir. But it doesn't pause for fine touches and efficiently delivers action for an audience that likes one-course meals.”
Roger Ebert·Chicago Sun-Times
“Director George Tillman Jr keeps revving it up, but this just gets tangled and boring.”
Peter Bradshaw·The Guardian
“Burdened by poorly-handled religious themes and an unnecessary supporting character, Faster isn't much fun but it does have Dwayne Johnson being a badass, and that's almost enough.”
Matt Goldberg·Collider
“When it dallies with a structure that doesn't match the concept and blows precious time on a character that doesn't belong, Faster goes screaming right off a cliff.”
Russ Fischer·/Film
“Faster" is a movie distracted by itself, and struggles to find any particular tone or groove outside Driver's man-on-a-mission single-mindedness”
Robert Koehler·Variety
Crime, Drama, Action, Thriller
After 10 years in prison, Driver is now a free man with a single focus - hunting down the people responsible for brutally murdering his brother.
A lean revenge thriller that critics found too thin to fully satisfy, Faster earns points for putting Dwayne Johnson back in bruising, no-nonsense action mode but squanders the goodwill with a cluttered supporting plot, shaky religious themes, and a narrative that critics repeatedly described as stumbling rather than speeding. The lean-and-mean approach divided reviewers: some appreciated its stripped-down pulp efficiency, others found it simply underdeveloped.
“Rotate the plot, change the period, spruce up the dialogue, and this could have been a hard boiled 1940s noir. But it doesn't pause for fine touches and efficiently delivers action for an audience that likes one-course meals.”
Roger Ebert·Chicago Sun-Times
“Director George Tillman Jr keeps revving it up, but this just gets tangled and boring.”
Peter Bradshaw·The Guardian
“Burdened by poorly-handled religious themes and an unnecessary supporting character, Faster isn't much fun but it does have Dwayne Johnson being a badass, and that's almost enough.”
Matt Goldberg·Collider
“When it dallies with a structure that doesn't match the concept and blows precious time on a character that doesn't belong, Faster goes screaming right off a cliff.”
Russ Fischer·/Film
“Faster" is a movie distracted by itself, and struggles to find any particular tone or groove outside Driver's man-on-a-mission single-mindedness”
Robert Koehler·Variety
Crime, Drama, Action, Thriller