When his helicopter goes down during his fourth tour of duty in Afghanistan, Marine Sam Cahill is presumed dead. Back home, brother Tommy steps in to look over Sam’s wife, Grace, and two children. Sam’s surprise homecoming triggers domestic mayhem.
Jim Sheridan's remake lands in mixed territory: critics largely agreed the three leads — particularly Tobey Maguire — bring genuine intensity, but divided sharply over whether Sheridan's direction earns that effort or buries it under melodramatic excess. Compared to Susanne Bier's Danish original, the film was seen by many as a safer, more conventional piece of work.
“I've never seen these dark depths in him before.”
Roger Ebert·Chicago Sun-Times
“Sheridan's actors work with their intellects fully engaged—and they engage us on levels we barely knew we had.”
David Edelstein·New York Magazine
“Brothers isn't badly acted, but as directed by the increasingly impersonal Jim Sheridan, it's lumbering and heavy-handed, a film that piles on overwrought dramatic twists until it begins to creak under the weight of its presumed significance.”
Owen Gleiberman·Entertainment Weekly
Drama, Thriller, War
When his helicopter goes down during his fourth tour of duty in Afghanistan, Marine Sam Cahill is presumed dead. Back home, brother Tommy steps in to look over Sam’s wife, Grace, and two children. Sam’s surprise homecoming triggers domestic mayhem.
Jim Sheridan's remake lands in mixed territory: critics largely agreed the three leads — particularly Tobey Maguire — bring genuine intensity, but divided sharply over whether Sheridan's direction earns that effort or buries it under melodramatic excess. Compared to Susanne Bier's Danish original, the film was seen by many as a safer, more conventional piece of work.
“I've never seen these dark depths in him before.”
Roger Ebert·Chicago Sun-Times
“Sheridan's actors work with their intellects fully engaged—and they engage us on levels we barely knew we had.”
David Edelstein·New York Magazine
“Brothers isn't badly acted, but as directed by the increasingly impersonal Jim Sheridan, it's lumbering and heavy-handed, a film that piles on overwrought dramatic twists until it begins to creak under the weight of its presumed significance.”
Owen Gleiberman·Entertainment Weekly
Drama, Thriller, War
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