In May 1940, the fate of World War II hangs on Winston Churchill, who must decide whether to negotiate with Adolf Hitler or fight on knowing that it could mean the end of the British Empire.
Nearly everyone agrees that Gary Oldman's transformation into Churchill is the film's reason for being, but critics split sharply over whether Joe Wright's direction matches it — admirers found the film a lively and handsomely crafted historical drama, while detractors saw a prestige-picture obligation that dresses up a thin, dumbed-down script in impressive makeup and period trappings.
“those fearing that Darkest Hour is nothing but a dull tableau of blowhard stuffed shirts will be relieved to know that they're in for a lively, provocative historical drama that runs on its own nonstop creative fire”
Peter Travers·Rolling Stone
“Unfolding with the clockwork precision of a Broadway play... it's a deliciously unsubtle testament to the power of words and their infinite capacity to inspire”
David Ehrlich·IndieWire
“Wright's forceful direction depicts not so much a hero as a principled man snatching victory from the jaws of defeat. Certain engineered Hollywood moments dilute the overall impact, including a twee meet and greet on a Tube train, but Oldman is never less than sensational.”
Damon Wise·Radio Times
“an acting exercise weighed down by costumes, make-up, and over-lighting”
Brian Tallerico·RogerEbert.com
“a bad film. It's not terrible, it's just, well, not good. It's the kind of film you'd watch on Netflix if it was raining, or on an iPad if it was the only film on the iPad, or on TV if you'd lost the remote. There are many reasons for this, but the main one is director Joe Wright, who never met a script he didn't dumb-down.”
Stuart McGurk·GQ
Biography, Drama, History
In May 1940, the fate of World War II hangs on Winston Churchill, who must decide whether to negotiate with Adolf Hitler or fight on knowing that it could mean the end of the British Empire.
Nearly everyone agrees that Gary Oldman's transformation into Churchill is the film's reason for being, but critics split sharply over whether Joe Wright's direction matches it — admirers found the film a lively and handsomely crafted historical drama, while detractors saw a prestige-picture obligation that dresses up a thin, dumbed-down script in impressive makeup and period trappings.
“those fearing that Darkest Hour is nothing but a dull tableau of blowhard stuffed shirts will be relieved to know that they're in for a lively, provocative historical drama that runs on its own nonstop creative fire”
Peter Travers·Rolling Stone
“Unfolding with the clockwork precision of a Broadway play... it's a deliciously unsubtle testament to the power of words and their infinite capacity to inspire”
David Ehrlich·IndieWire
“Wright's forceful direction depicts not so much a hero as a principled man snatching victory from the jaws of defeat. Certain engineered Hollywood moments dilute the overall impact, including a twee meet and greet on a Tube train, but Oldman is never less than sensational.”
Damon Wise·Radio Times
“an acting exercise weighed down by costumes, make-up, and over-lighting”
Brian Tallerico·RogerEbert.com
“a bad film. It's not terrible, it's just, well, not good. It's the kind of film you'd watch on Netflix if it was raining, or on an iPad if it was the only film on the iPad, or on TV if you'd lost the remote. There are many reasons for this, but the main one is director Joe Wright, who never met a script he didn't dumb-down.”
Stuart McGurk·GQ
Biography, Drama, History