Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.
Baz Luhrmann's sweeping epic divides neatly along the question of whether its shameless artifice is a feature or a bug — critics who surrendered to its melodramatic excess found it grandly entertaining, while those who resisted found it a bloated patchwork stitched together from better films. Almost everyone agrees it looks spectacular; where they split is on whether the second half earns its emotional ambitions or collapses under them.
“A wildly ambitious, luridly indulgent spectacle of romance, action, melodrama and revisionism, Australia is windy, overblown, utterly preposterous and insanely entertaining.”
Ann Hornaday·Washington Post
“The second half of Australia, Luhrmann's attempt to pull off a wartime weeper, is so aggressively sentimental that it begins to feel more like punishment than pleasure. I left Australia feeling drained and weakened, as if I'd suffered a gradual poisoning at the hands of a mad scientist.”
Stephanie Zacharek·Salon.com
“Baz Luhrmann dreamed of making the Australian Gone with the Wind, and so he has, with much of that film's lush epic beauty and some of the same awkwardness with a national legacy of racism.”
Roger Ebert·Chicago Sun-Times
“Australia is clearly a labor of love, and a matter of national pride. It is also a bit of a mess.”
Andrew Sarris·New York Observer
Adventure, Romance, Drama
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.
Baz Luhrmann's sweeping epic divides neatly along the question of whether its shameless artifice is a feature or a bug — critics who surrendered to its melodramatic excess found it grandly entertaining, while those who resisted found it a bloated patchwork stitched together from better films. Almost everyone agrees it looks spectacular; where they split is on whether the second half earns its emotional ambitions or collapses under them.
“A wildly ambitious, luridly indulgent spectacle of romance, action, melodrama and revisionism, Australia is windy, overblown, utterly preposterous and insanely entertaining.”
Ann Hornaday·Washington Post
“The second half of Australia, Luhrmann's attempt to pull off a wartime weeper, is so aggressively sentimental that it begins to feel more like punishment than pleasure. I left Australia feeling drained and weakened, as if I'd suffered a gradual poisoning at the hands of a mad scientist.”
Stephanie Zacharek·Salon.com
“Baz Luhrmann dreamed of making the Australian Gone with the Wind, and so he has, with much of that film's lush epic beauty and some of the same awkwardness with a national legacy of racism.”
Roger Ebert·Chicago Sun-Times
“Australia is clearly a labor of love, and a matter of national pride. It is also a bit of a mess.”
Andrew Sarris·New York Observer
Adventure, Romance, Drama