Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
Generally well-received but nowhere near unanimous, The Darjeeling Limited split critics largely along a familiar fault line: admirers found Anderson's India-set brotherly road trip emotionally richer and more mature than his recent work, while detractors argued his signature stylistic tics had calcified into self-parody. The Indian setting drew specific praise for its texture and presence, but the film's self-regard and thematic repetition were the central points of contention.
“an odd, flawed, but nonetheless beautifully handmade object”
A. O. Scott·The New York Times
“a startling new maturity”
Lisa Schwarzbaum·Entertainment Weekly
“uses India not in a touristy way, but as a backdrop that is very, very there”
Roger Ebert·Chicago Sun-Times
“Anderson's thematic and stylistic repetition confined the film, despite the new setting and collaborators”
EmanuelLevy.com
Adventure, Drama, Comedy
Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
Generally well-received but nowhere near unanimous, The Darjeeling Limited split critics largely along a familiar fault line: admirers found Anderson's India-set brotherly road trip emotionally richer and more mature than his recent work, while detractors argued his signature stylistic tics had calcified into self-parody. The Indian setting drew specific praise for its texture and presence, but the film's self-regard and thematic repetition were the central points of contention.
“an odd, flawed, but nonetheless beautifully handmade object”
A. O. Scott·The New York Times
“a startling new maturity”
Lisa Schwarzbaum·Entertainment Weekly
“uses India not in a touristy way, but as a backdrop that is very, very there”
Roger Ebert·Chicago Sun-Times
“Anderson's thematic and stylistic repetition confined the film, despite the new setting and collaborators”
EmanuelLevy.com
Adventure, Drama, Comedy