The early years of young Michael Myers and the events leading up to his fateful Halloween night murder rampage in the quiet town of Haddonfield, Illinois.
Rob Zombie's remake landed poorly with most critics, who largely felt that his detailed psychological backstory for Michael Myers drained the character of menace rather than deepening it. The sharpest dividing line was the film's two-halves structure: nearly everyone agreed the childhood prequel section was the stronger half, while the back-half slasher mechanics felt generic and tension-free. A minority of critics defended Zombie's grimy, Craven-and-Hooper-influenced approach as a legitimate reinvention, but the majority found that graphic brutality had simply replaced Carpenter's slow-burn dread.
“[deepening] Carpenter's vision without rooting out its fear”
Nathan Lee·The Village Voice
“compelling take on the mythology”
Rossiter Drake·The Examiner
“The blowback theory of Michael Myers may have been comforting for a post-9/11 America mired in the Iraq War trying to get a sense of how evil comes to be, but it's deeply dissatisfying as the peg on which to hang a slasher movie villain.”
Sonny Bunch·The Washington Post
Horror
The early years of young Michael Myers and the events leading up to his fateful Halloween night murder rampage in the quiet town of Haddonfield, Illinois.
Rob Zombie's remake landed poorly with most critics, who largely felt that his detailed psychological backstory for Michael Myers drained the character of menace rather than deepening it. The sharpest dividing line was the film's two-halves structure: nearly everyone agreed the childhood prequel section was the stronger half, while the back-half slasher mechanics felt generic and tension-free. A minority of critics defended Zombie's grimy, Craven-and-Hooper-influenced approach as a legitimate reinvention, but the majority found that graphic brutality had simply replaced Carpenter's slow-burn dread.
“[deepening] Carpenter's vision without rooting out its fear”
Nathan Lee·The Village Voice
“compelling take on the mythology”
Rossiter Drake·The Examiner
“The blowback theory of Michael Myers may have been comforting for a post-9/11 America mired in the Iraq War trying to get a sense of how evil comes to be, but it's deeply dissatisfying as the peg on which to hang a slasher movie villain.”
Sonny Bunch·The Washington Post
Horror
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