A team of U.S. government agents is sent to investigate the bombing of an American facility in the Middle East.
The Kingdom split critics cleanly down the middle: those who took it as a lean, propulsive thriller found it delivered the goods, while detractors argued its slick action glosses over muddled politics and a jingoistic worldview that flatters American audiences rather than challenging them. The action sequences drew broad respect, but the film's treatment of Arabs and its wish-fulfillment fantasy of American competence in the War on Terror were the sharpest points of disagreement.
“a slick, brutishly effective genre movie”
A. O. Scott·The New York Times
“a slick excuse for efficient mayhem that's not half as smart as it would like to be”
Kenneth Turan·The Los Angeles Times
“queasy brand of escapism”
Scott Tobias·The A.V. Club
“treating its audience like cash-dispensing machines”
Lisa Schwarzbaum·Entertainment Weekly
Thriller, Action, Drama
A team of U.S. government agents is sent to investigate the bombing of an American facility in the Middle East.
The Kingdom split critics cleanly down the middle: those who took it as a lean, propulsive thriller found it delivered the goods, while detractors argued its slick action glosses over muddled politics and a jingoistic worldview that flatters American audiences rather than challenging them. The action sequences drew broad respect, but the film's treatment of Arabs and its wish-fulfillment fantasy of American competence in the War on Terror were the sharpest points of disagreement.
“a slick, brutishly effective genre movie”
A. O. Scott·The New York Times
“a slick excuse for efficient mayhem that's not half as smart as it would like to be”
Kenneth Turan·The Los Angeles Times
“queasy brand of escapism”
Scott Tobias·The A.V. Club
“treating its audience like cash-dispensing machines”
Lisa Schwarzbaum·Entertainment Weekly
Thriller, Action, Drama
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