Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Hostel landed in genuinely mixed territory on release, with critics divided less over whether it was violent than over whether that violence meant anything. Where some found Roth's premise — American sex tourists becoming commodities in the same flesh market they'd been exploiting — to carry real social weight, others saw cynical provocation dressed up as commentary. The film is widely credited with helping define and popularize what David Edelstein famously labeled 'torture porn,' a label that itself became a flashpoint for debate about where horror ends and exploitation begins.
“Roth, by presenting his characters as victims of the same world of flesh-for-fantasy they were grooving on in the first place, digs deep into the nightmare of a society ruled by the profit of illicit desire”
Owen Gleiberman·Entertainment Weekly
“silly, crass and queasy. And not in a good way”
Peter Bradshaw·The Guardian
Horror
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Hostel landed in genuinely mixed territory on release, with critics divided less over whether it was violent than over whether that violence meant anything. Where some found Roth's premise — American sex tourists becoming commodities in the same flesh market they'd been exploiting — to carry real social weight, others saw cynical provocation dressed up as commentary. The film is widely credited with helping define and popularize what David Edelstein famously labeled 'torture porn,' a label that itself became a flashpoint for debate about where horror ends and exploitation begins.
“Roth, by presenting his characters as victims of the same world of flesh-for-fantasy they were grooving on in the first place, digs deep into the nightmare of a society ruled by the profit of illicit desire”
Owen Gleiberman·Entertainment Weekly
“silly, crass and queasy. And not in a good way”
Peter Bradshaw·The Guardian
Horror