Freddy Krueger and Jason Voorhees return to terrorize the teenagers of Elm Street. Only this time, they're out to get each other, too.
Critics were largely cold on this long-awaited crossover, finding it more loud spectacle than genuine horror — though franchise devotees responded warmly. The divide between press reception and audience enthusiasm is the real story here: critics called it formulaic and unfavorable, while fans who showed up left satisfied.
“FVJ ignores any attempts at cleverness and picks up storylines dropped in Freddy's Dead and Jason Goes to Hell”
Kim Newman·Empire
“this is a solid effort, with enough frights, humour, blood, surprises and killer dialogue to entertain consistently.”
Sacha Molitorisz·The Sydney Morning Herald
“succeeds as a guilty pleasure, a monster mash that clobbers the recent lackluster sequels plaguing both legacies.”
Robert K. Elder·Chicago Tribune
Horror
Freddy Krueger and Jason Voorhees return to terrorize the teenagers of Elm Street. Only this time, they're out to get each other, too.
Critics were largely cold on this long-awaited crossover, finding it more loud spectacle than genuine horror — though franchise devotees responded warmly. The divide between press reception and audience enthusiasm is the real story here: critics called it formulaic and unfavorable, while fans who showed up left satisfied.
“FVJ ignores any attempts at cleverness and picks up storylines dropped in Freddy's Dead and Jason Goes to Hell”
Kim Newman·Empire
“this is a solid effort, with enough frights, humour, blood, surprises and killer dialogue to entertain consistently.”
Sacha Molitorisz·The Sydney Morning Herald
“succeeds as a guilty pleasure, a monster mash that clobbers the recent lackluster sequels plaguing both legacies.”
Robert K. Elder·Chicago Tribune
Horror