When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
Critics were split roughly down the middle on Pitch Black, agreeing almost universally that Vin Diesel's charismatic turn as Riddick was the film's main draw, but disagreeing sharply on whether the surrounding sci-fi thriller was inventive enough to justify the ride. Admirers found it a solidly entertaining genre piece; detractors saw a derivative, formulaic exercise that squandered its atmospheric premise with tired conventions.
“falters a bit in its last half-hour”
Nathan Rabin·A.V. Club
“how sad it is that humans travel countless light years away from Earth, only to find themselves inhabiting the same tired generic conventions.”
Roger Ebert·Chicago Sun-Times
“an entertainment and quite a good one too.”
BBC.com
Thriller, Science Fiction, Action
When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
Critics were split roughly down the middle on Pitch Black, agreeing almost universally that Vin Diesel's charismatic turn as Riddick was the film's main draw, but disagreeing sharply on whether the surrounding sci-fi thriller was inventive enough to justify the ride. Admirers found it a solidly entertaining genre piece; detractors saw a derivative, formulaic exercise that squandered its atmospheric premise with tired conventions.
“falters a bit in its last half-hour”
Nathan Rabin·A.V. Club
“how sad it is that humans travel countless light years away from Earth, only to find themselves inhabiting the same tired generic conventions.”
Roger Ebert·Chicago Sun-Times
“an entertainment and quite a good one too.”
BBC.com
Thriller, Science Fiction, Action