Elliot Richards, a socially awkward IT worker, is given seven wishes to get the girl of his dreams when he meets a very seductive Satan. The catch: his soul. Some of his wishes include being a 7 foot basketball star, a wealthy, powerful man, and a sensitive caring guy. But, as could be expected, the Devil puts her own little twist on each of his fantasies.
Harold Ramis's remake landed in deeply mixed territory — critics agreed the premise was strong and Hurley's devilish turn was a highlight, but most felt the film couldn't commit to its own comic logic, drifting from drawing-room wit into action-movie spectacle. Fraser drew kinder notices than the film around him, while Ramis was held to a higher standard given his track record with high-concept comedy.
“the new movie has been directed by Harold Ramis from a screenplay that uses the 1967 film more as inspiration than source. It is lacking in wickedness. It doesn't smack its lips when it's naughty. When its hero sells his soul to the devil, what results isn't diabolical effrontery, but a series of contract negotiations and consumer complaints.”
Roger Ebert·Chicago Sun-Times
“this 'Bedazzled,' though amusing from moment to moment, is erratic, unfocused and uncertain where it's going. And whenever it gets too insecure about itself, the film falls back, in classic the-devil-made-me-do-it Hollywood fashion, on explosions, gunfights, helicopter stunts, car crashes and computer-generated effects. What should be a drawing-room comedy ends with moments best left to Gone in 60 Seconds.”
Kenneth Turan·Los Angeles Times
“Bedazzled' recycled is not the finest hour for Fraser or Hurley—though Fraser, Elliot Richards in this movie, comes closer. It isn't Ramis' finest hour either—though he's one American moviemaker who excels at concept comedies, as he's proved in Groundhog Day, and the best parts of the crude and lewd Caddyshack. Bedazzled, one of the best comic premises ever, should have been duck soup to him.”
Michael Wilmington·Chicago Tribune
Fantasy, Comedy, Romance
Elliot Richards, a socially awkward IT worker, is given seven wishes to get the girl of his dreams when he meets a very seductive Satan. The catch: his soul. Some of his wishes include being a 7 foot basketball star, a wealthy, powerful man, and a sensitive caring guy. But, as could be expected, the Devil puts her own little twist on each of his fantasies.
Harold Ramis's remake landed in deeply mixed territory — critics agreed the premise was strong and Hurley's devilish turn was a highlight, but most felt the film couldn't commit to its own comic logic, drifting from drawing-room wit into action-movie spectacle. Fraser drew kinder notices than the film around him, while Ramis was held to a higher standard given his track record with high-concept comedy.
“the new movie has been directed by Harold Ramis from a screenplay that uses the 1967 film more as inspiration than source. It is lacking in wickedness. It doesn't smack its lips when it's naughty. When its hero sells his soul to the devil, what results isn't diabolical effrontery, but a series of contract negotiations and consumer complaints.”
Roger Ebert·Chicago Sun-Times
“this 'Bedazzled,' though amusing from moment to moment, is erratic, unfocused and uncertain where it's going. And whenever it gets too insecure about itself, the film falls back, in classic the-devil-made-me-do-it Hollywood fashion, on explosions, gunfights, helicopter stunts, car crashes and computer-generated effects. What should be a drawing-room comedy ends with moments best left to Gone in 60 Seconds.”
Kenneth Turan·Los Angeles Times
“Bedazzled' recycled is not the finest hour for Fraser or Hurley—though Fraser, Elliot Richards in this movie, comes closer. It isn't Ramis' finest hour either—though he's one American moviemaker who excels at concept comedies, as he's proved in Groundhog Day, and the best parts of the crude and lewd Caddyshack. Bedazzled, one of the best comic premises ever, should have been duck soup to him.”
Michael Wilmington·Chicago Tribune
Fantasy, Comedy, Romance