When the videotape of the murder of a congressman unknowingly ends up in the hands of labor lawyer and dedicated family man Robert Clayton Dean, he is framed for the murder. With the help of the mysterious Brill, Dean attempts to throw the NSA off his trail and prove his innocence.
Tony Scott's surveillance thriller earned broadly favorable notices for its kinetic energy and strong supporting work from Gene Hackman and Jon Voight, though critics were divided on whether the relentless technical spectacle compensates for thin characters and a story that strains credulity. Audiences embraced it more warmly than critics, who tended to enjoy the ride while noting its roots in slick, formulaic blockbuster mechanics.
“pizazz overcomes occasional lapses in moment-to-moment plausibility”
Kenneth Turan·Los Angeles Times
“the movie has plenty of high-tech power, spinning out action so explosive you'll hardly notice how preposterous the story is or how cardboard-thin the characters are”
David Sterritt·The Christian Science Monitor
“edges perilously close to the ridiculous”
Roger Ebert·Chicago Sun-Times
Action, Drama, Thriller
When the videotape of the murder of a congressman unknowingly ends up in the hands of labor lawyer and dedicated family man Robert Clayton Dean, he is framed for the murder. With the help of the mysterious Brill, Dean attempts to throw the NSA off his trail and prove his innocence.
Tony Scott's surveillance thriller earned broadly favorable notices for its kinetic energy and strong supporting work from Gene Hackman and Jon Voight, though critics were divided on whether the relentless technical spectacle compensates for thin characters and a story that strains credulity. Audiences embraced it more warmly than critics, who tended to enjoy the ride while noting its roots in slick, formulaic blockbuster mechanics.
“pizazz overcomes occasional lapses in moment-to-moment plausibility”
Kenneth Turan·Los Angeles Times
“the movie has plenty of high-tech power, spinning out action so explosive you'll hardly notice how preposterous the story is or how cardboard-thin the characters are”
David Sterritt·The Christian Science Monitor
“edges perilously close to the ridiculous”
Roger Ebert·Chicago Sun-Times
Action, Drama, Thriller