Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Bean lands squarely in mixed territory: critics acknowledged Rowan Atkinson's considerable gifts as a physical comedian but felt the joke wore out its welcome long before the credits rolled. A sketch-show character stretched to feature length, it earns genuine laughs but not enough of them to justify the runtime.
“At an hour, Bean would have been nonstop laughs. [But] then they added 30 minutes of stops.”
Roger Ebert·Chicago Sun-Times
Family, Adventure, Comedy
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Bean lands squarely in mixed territory: critics acknowledged Rowan Atkinson's considerable gifts as a physical comedian but felt the joke wore out its welcome long before the credits rolled. A sketch-show character stretched to feature length, it earns genuine laughs but not enough of them to justify the runtime.
“At an hour, Bean would have been nonstop laughs. [But] then they added 30 minutes of stops.”
Roger Ebert·Chicago Sun-Times
Family, Adventure, Comedy