Failed hockey player-turned-golf whiz Happy Gilmore — whose unconventional approach and antics on the green courts the ire of rival Shooter McGavin — is determined to win a PGA tournament so he can save his granny's house with the prize money. Meanwhile, an attractive tour publicist tries to soften Happy's image.
Critics at the time were largely cold on Happy Gilmore, finding Sandler's angry-manchild routine more exhausting than funny — but audiences embraced it, and that gap has only widened over the decades. The central divide was whether Sandler's abrasive energy reads as gleeful silliness or just unpleasant aggression, with most professional reviewers landing firmly in the latter camp while crowds kept the film alive as a cult comedy.
“The general tone nevertheless makes it difficult to elevate the gags beyond an occasional chuckle”
Brian Lowry·Variety
“doesn't have a pleasing personality: He seems angry even when he's not supposed to be, and his habit of pounding everyone he dislikes is tiring in a PG-13 movie”
Roger Ebert·Chicago Sun Times
“A one-joke Caddyshack for the blitzed and jaded”
Owen Gleiberman·Entertainment Weekly
“The real surprise is that it's a lot of fun, with Sandler becoming more personable as the film progresses, and a couple of truly side-splitting scenes.”
Darren Bignell·Empire
Comedy
Failed hockey player-turned-golf whiz Happy Gilmore — whose unconventional approach and antics on the green courts the ire of rival Shooter McGavin — is determined to win a PGA tournament so he can save his granny's house with the prize money. Meanwhile, an attractive tour publicist tries to soften Happy's image.
Critics at the time were largely cold on Happy Gilmore, finding Sandler's angry-manchild routine more exhausting than funny — but audiences embraced it, and that gap has only widened over the decades. The central divide was whether Sandler's abrasive energy reads as gleeful silliness or just unpleasant aggression, with most professional reviewers landing firmly in the latter camp while crowds kept the film alive as a cult comedy.
“The general tone nevertheless makes it difficult to elevate the gags beyond an occasional chuckle”
Brian Lowry·Variety
“doesn't have a pleasing personality: He seems angry even when he's not supposed to be, and his habit of pounding everyone he dislikes is tiring in a PG-13 movie”
Roger Ebert·Chicago Sun Times
“A one-joke Caddyshack for the blitzed and jaded”
Owen Gleiberman·Entertainment Weekly
“The real surprise is that it's a lot of fun, with Sandler becoming more personable as the film progresses, and a couple of truly side-splitting scenes.”
Darren Bignell·Empire
Comedy