Retired from active duty, and training recruits for the Impossible Mission Force, agent Ethan Hunt faces the toughest foe of his career: Owen Davian, an international broker of arms and information, who's as cunning as he is ruthless. Davian emerges to threaten Hunt and all that he holds dear – including the woman Hunt loves.
The third Mission: Impossible lands as a competent, energetic action film that most critics found enjoyable enough on its own terms, though rarely more than that. J.J. Abrams brings tighter plotting than either predecessor, and Philip Seymour Hoffman's villain earns consistent praise, but detractors found the film hollow, unpleasantly brutal, and saddled with a romance that drags it down. Audience enthusiasm ran warmer than critical opinion, and the divide between 'perfectly satisfying summer entertainment' and 'forgettable franchise filler' is where most of the real disagreement sits.
“either you want to see mindless action and computer-generated sequences executed with breakneck speed and technical precision, or you do not. I am getting to the point where I don't much care.”
Roger Ebert·Chicago Sun-Times
“we now live in a post-Bourne, recalibrated-Bond universe, where Ethan Hunt looks a bit lost.”
Ian Nathan·Empire
“a gratifyingly clever, booby-trapped thriller that has enough fun and imagination and dash to more than justify its existence.”
Owen Gleiberman·Entertainment Weekly
“provides lots of action, but too little excitement.”
James Berardinelli·ReelViews
Action, Adventure, Thriller
Retired from active duty, and training recruits for the Impossible Mission Force, agent Ethan Hunt faces the toughest foe of his career: Owen Davian, an international broker of arms and information, who's as cunning as he is ruthless. Davian emerges to threaten Hunt and all that he holds dear – including the woman Hunt loves.
The third Mission: Impossible lands as a competent, energetic action film that most critics found enjoyable enough on its own terms, though rarely more than that. J.J. Abrams brings tighter plotting than either predecessor, and Philip Seymour Hoffman's villain earns consistent praise, but detractors found the film hollow, unpleasantly brutal, and saddled with a romance that drags it down. Audience enthusiasm ran warmer than critical opinion, and the divide between 'perfectly satisfying summer entertainment' and 'forgettable franchise filler' is where most of the real disagreement sits.
“either you want to see mindless action and computer-generated sequences executed with breakneck speed and technical precision, or you do not. I am getting to the point where I don't much care.”
Roger Ebert·Chicago Sun-Times
“we now live in a post-Bourne, recalibrated-Bond universe, where Ethan Hunt looks a bit lost.”
Ian Nathan·Empire
“a gratifyingly clever, booby-trapped thriller that has enough fun and imagination and dash to more than justify its existence.”
Owen Gleiberman·Entertainment Weekly
“provides lots of action, but too little excitement.”
James Berardinelli·ReelViews
Action, Adventure, Thriller