In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
Carpenter's dystopian thriller earned broad approval on release, though critics quibbled over whether it fully delivered on its arresting premise. Most agreed Russell's Snake Plissken was a genuine genre creation, but the film's reach versus its grasp — pulpy B-movie craftsmanship bumping up against higher ambitions — was the central point of contention.
“John Carpenter is offering this summer's moviegoers a rare opportunity: to escape from the air-conditioned torpor of ordinary entertainment into the hothouse humidity of their own paranoia. It's a trip worth taking”
Richard Corliss·Time
“[He has a] deeply ingrained B-movie sensibility – which is both his strength and limitation. He does clean work, but settles for too little. He uses Russell well, however”
Newsweek
“Everything is here, and it all works fairly well, but it never quite comes together as an involving story or overpowering adventure.”
Roger Ebert·The Chicago Sun-Times
“it fails to satisfy – it gives us too little of too much”
Dave Kehr·Chicago Reader
“It is solid summer entertainment of unusually high caliber. By not pretending to be more than it is, but by also not settling for any less than it could be, Escape becomes an exciting, fast-moving drama, the likes of which we haven't seen in years.”
Christopher John·Ares Magazine
Action, Adventure, Sci-Fi
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
Carpenter's dystopian thriller earned broad approval on release, though critics quibbled over whether it fully delivered on its arresting premise. Most agreed Russell's Snake Plissken was a genuine genre creation, but the film's reach versus its grasp — pulpy B-movie craftsmanship bumping up against higher ambitions — was the central point of contention.
“John Carpenter is offering this summer's moviegoers a rare opportunity: to escape from the air-conditioned torpor of ordinary entertainment into the hothouse humidity of their own paranoia. It's a trip worth taking”
Richard Corliss·Time
“[He has a] deeply ingrained B-movie sensibility – which is both his strength and limitation. He does clean work, but settles for too little. He uses Russell well, however”
Newsweek
“Everything is here, and it all works fairly well, but it never quite comes together as an involving story or overpowering adventure.”
Roger Ebert·The Chicago Sun-Times
“it fails to satisfy – it gives us too little of too much”
Dave Kehr·Chicago Reader
“It is solid summer entertainment of unusually high caliber. By not pretending to be more than it is, but by also not settling for any less than it could be, Escape becomes an exciting, fast-moving drama, the likes of which we haven't seen in years.”
Christopher John·Ares Magazine
Action, Adventure, Sci-Fi
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