El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
Rodriguez's follow-up to El Mariachi divided critics almost entirely along the line of style versus substance: nearly everyone conceded the film is a visually explosive showcase for Banderas, but many felt the story and characters were too thin to justify the runtime. Audiences were considerably more forgiving than the critical consensus suggests.
“What happens looks terrific. Now if he can harness that technical facility to a screenplay that's more story than setup, he might really have something.”
Roger Ebert·The Chicago Sun-Times
“Overdependence on violence also marginalizes Desperado as a gun-slinging novelty item, instead of the broader effort toward which this talented young director might have aspired.”
Janet Maslin·The New York Times
“It's big, it's daft, but Desperado is confident and hugely entertaining filmmaking.”
Bob McCabe·Empire
“the commercial transition has been remarkably successful. This is primarily thanks to Rodriguez, who not only retains the original movie's kinetic flair, but takes it further.”
Desson Howe·The Washington Post
Action, Crime, Drama
El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
Rodriguez's follow-up to El Mariachi divided critics almost entirely along the line of style versus substance: nearly everyone conceded the film is a visually explosive showcase for Banderas, but many felt the story and characters were too thin to justify the runtime. Audiences were considerably more forgiving than the critical consensus suggests.
“What happens looks terrific. Now if he can harness that technical facility to a screenplay that's more story than setup, he might really have something.”
Roger Ebert·The Chicago Sun-Times
“Overdependence on violence also marginalizes Desperado as a gun-slinging novelty item, instead of the broader effort toward which this talented young director might have aspired.”
Janet Maslin·The New York Times
“It's big, it's daft, but Desperado is confident and hugely entertaining filmmaking.”
Bob McCabe·Empire
“the commercial transition has been remarkably successful. This is primarily thanks to Rodriguez, who not only retains the original movie's kinetic flair, but takes it further.”
Desson Howe·The Washington Post
Action, Crime, Drama
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