A strange doorway appears in the basement of a furniture showroom.
Kane Parsons's feature debut earns broad critical admiration for its atmosphere, sound design, and the restrained performances of Chiwetel Ejiofor and Renate Reinsve, with most critics treating it less as a conventional horror film than as a sustained, disorienting dreamscape. The main fault lines run between those who found its psychological ambitions fully realized and those who felt the script strains under the weight of its themes — trauma, gentrification, the unconscious — without quite earning them. Audience scores lag noticeably behind critic enthusiasm, suggesting the film's elliptical, experimental mode plays better on paper than in the theater.
“cobbles together ideas about trauma and the mysterious workings of the unconscious, and sprinkles on some metaphors about gentrification as a repression of the past for good measure.”
Beatrice Loayza·The New York Times
“a truly terrifying cinematic rabbit hole that takes its audience down a twisted and dread-filled path as cerebral in its horror as it is aesthetically pleasing in its design.”
Lex Briscuso·IGN
Horror, Mystery, Science Fiction
A strange doorway appears in the basement of a furniture showroom.
Kane Parsons's feature debut earns broad critical admiration for its atmosphere, sound design, and the restrained performances of Chiwetel Ejiofor and Renate Reinsve, with most critics treating it less as a conventional horror film than as a sustained, disorienting dreamscape. The main fault lines run between those who found its psychological ambitions fully realized and those who felt the script strains under the weight of its themes — trauma, gentrification, the unconscious — without quite earning them. Audience scores lag noticeably behind critic enthusiasm, suggesting the film's elliptical, experimental mode plays better on paper than in the theater.
“cobbles together ideas about trauma and the mysterious workings of the unconscious, and sprinkles on some metaphors about gentrification as a repression of the past for good measure.”
Beatrice Loayza·The New York Times
“a truly terrifying cinematic rabbit hole that takes its audience down a twisted and dread-filled path as cerebral in its horror as it is aesthetically pleasing in its design.”
Lex Briscuso·IGN
Horror, Mystery, Science Fiction