Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Far From Home lands as a breezy, crowd-pleasing MCU entry with Holland and Zendaya's chemistry drawing consistent praise, but critics split sharply over whether it amounts to anything beyond capable franchise maintenance — admirers loved its teen-comedy energy and Gyllenhaal's layered villain turn, while detractors found the action incoherent, the plot a glorified Endgame cleanup operation, and the dialogue embarrassingly weak.
“By the end, this Spider-Man really does find his tingle, yet coming after Into the Spider-Verse, with its swirling psychedelic imagery and identity games and trap doors of perception, Spider-Man: Far From Home touches all the bases of a conventional Marvel movie. It doesn't take you out of this world. But it's good enough to summon the kick—or maybe just the illusion—of consequence.”
Owen Gleiberman·Variety
“a charming teen road-trip comedy that occasionally turns into a superhero movie”
Alonso Duralde·TheWrap
“At its best and funniest, Jon Watt's second Spider-Man film plays like Sweet Valley High with a powered guest star. But as a Marvel film, it's a little flat and low-key.”
Tara Brady·The Irish Times
“unadventurous bit of superhero housekeeping that only exists to clean up the mess that Avengers: Endgame left behind”
David Ehrlich·IndieWire
“a visually incoherent, effects-heavy superhero movie”
John Anderson·The Wall Street Journal
Action, Adventure, Comedy
Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Far From Home lands as a breezy, crowd-pleasing MCU entry with Holland and Zendaya's chemistry drawing consistent praise, but critics split sharply over whether it amounts to anything beyond capable franchise maintenance — admirers loved its teen-comedy energy and Gyllenhaal's layered villain turn, while detractors found the action incoherent, the plot a glorified Endgame cleanup operation, and the dialogue embarrassingly weak.
“By the end, this Spider-Man really does find his tingle, yet coming after Into the Spider-Verse, with its swirling psychedelic imagery and identity games and trap doors of perception, Spider-Man: Far From Home touches all the bases of a conventional Marvel movie. It doesn't take you out of this world. But it's good enough to summon the kick—or maybe just the illusion—of consequence.”
Owen Gleiberman·Variety
“a charming teen road-trip comedy that occasionally turns into a superhero movie”
Alonso Duralde·TheWrap
“At its best and funniest, Jon Watt's second Spider-Man film plays like Sweet Valley High with a powered guest star. But as a Marvel film, it's a little flat and low-key.”
Tara Brady·The Irish Times
“unadventurous bit of superhero housekeeping that only exists to clean up the mess that Avengers: Endgame left behind”
David Ehrlich·IndieWire
“a visually incoherent, effects-heavy superhero movie”
John Anderson·The Wall Street Journal
Action, Adventure, Comedy