The origin story of former Special Forces operative turned mercenary Wade Wilson, who, after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.
Reynolds' performance as Deadpool earned near-universal praise, and the film's irreverent, R-rated energy clearly connected with both critics and audiences. But the gap between those two groups is telling: critics were far more divided than the audience reception suggests, with several noting that the fourth-wall humor wears thin, the villains are undercooked, and the origin story underneath all the winking is surprisingly conventional.
“terribly arch and juvenile [but] also startlingly effective”
Justin Chang·Variety
“goes on too long and repetition dulls its initial cleverness”
Peter Travers·Rolling Stone
“gets off to a fun start”
Los Angeles Times
“bad, borderline garbage, but disturbing, too, in that it's just the kind of fake-clever awfulness that might be cinema's future”
Mick LaSalle·San Francisco Chronicle
“shouldn't work, but it absolutely does”
Alonso Duralde·TheWrap
Action, Comedy, Sci-Fi
The origin story of former Special Forces operative turned mercenary Wade Wilson, who, after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.
Reynolds' performance as Deadpool earned near-universal praise, and the film's irreverent, R-rated energy clearly connected with both critics and audiences. But the gap between those two groups is telling: critics were far more divided than the audience reception suggests, with several noting that the fourth-wall humor wears thin, the villains are undercooked, and the origin story underneath all the winking is surprisingly conventional.
“terribly arch and juvenile [but] also startlingly effective”
Justin Chang·Variety
“goes on too long and repetition dulls its initial cleverness”
Peter Travers·Rolling Stone
“gets off to a fun start”
Los Angeles Times
“bad, borderline garbage, but disturbing, too, in that it's just the kind of fake-clever awfulness that might be cinema's future”
Mick LaSalle·San Francisco Chronicle
“shouldn't work, but it absolutely does”
Alonso Duralde·TheWrap
Action, Comedy, Sci-Fi