When space galleon cabin boy Jim Hawkins discovers a map to an intergalactic "loot of a thousand worlds," a cyborg cook named John Silver teaches him to battle supernovas and space storms on their journey to find treasure.
Critics in 2002 were split roughly down the middle: many admired the film's visual ambition — its fusion of traditional and digital animation, its retrofuturist design — while finding the characters and script unable to keep pace with the spectacle. The harshest voices dismissed it as a cynical, hollow exercise, while audiences then and now have warmed to it considerably more than critics did, and a later wave of reappraisal has made that gap between initial reception and lasting affection part of the film's identity.
“there's plenty to recommend the film – the spectacular visuals alone make Treasure Planet a worthwhile watch”
Kim Hollis·Box Office Prophets
“less an act of homage than a clumsy and cynical bit of piracy”
A. O. Scott·The New York Times
“all cutesy updated fripperies and zero momentum”
Owen Gleiberman·Entertainment Weekly
Action, Adventure, Animation
When space galleon cabin boy Jim Hawkins discovers a map to an intergalactic "loot of a thousand worlds," a cyborg cook named John Silver teaches him to battle supernovas and space storms on their journey to find treasure.
Critics in 2002 were split roughly down the middle: many admired the film's visual ambition — its fusion of traditional and digital animation, its retrofuturist design — while finding the characters and script unable to keep pace with the spectacle. The harshest voices dismissed it as a cynical, hollow exercise, while audiences then and now have warmed to it considerably more than critics did, and a later wave of reappraisal has made that gap between initial reception and lasting affection part of the film's identity.
“there's plenty to recommend the film – the spectacular visuals alone make Treasure Planet a worthwhile watch”
Kim Hollis·Box Office Prophets
“less an act of homage than a clumsy and cynical bit of piracy”
A. O. Scott·The New York Times
“all cutesy updated fripperies and zero momentum”
Owen Gleiberman·Entertainment Weekly
Action, Adventure, Animation