Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
Critics broadly welcomed this origin-story reboot as a sharp, energetic revival of a franchise that had lost its footing, with James McAvoy and Michael Fassbender's chemistry drawing the most consistent praise. The divergence between the strong critical response and the more moderate critical-scoring landscape suggests some reviewers found the film accomplished but not quite essential — good genre craft rather than a genuine classic.
“audacious, confident and fueled by youthful energy”
Todd McCarthy·The Hollywood Reporter
“a wickedly smart script with a multilayered theme that ... never loses sight of its ultimate story, and makes each emotional motivation interlock, often shockingly playing for keeps with its characters.”
Frank Lovece·Film Journal International
“X-Men: First Class isn't anywhere close to being a genre classic like Spider-Man 2 or The Dark Knight, but it is good enough to rejuvenate a franchise stuck on idle.”
Kenny Lengel·The Arizona Republic
“These two have, yes, real star magnetism, both individually and together: They're both cool and intense, suave and unaffected, playful and dead serious about their grand comic-book work.”
Lisa Schwarzbaum·Entertainment Weekly
Action, Sci-Fi
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
Critics broadly welcomed this origin-story reboot as a sharp, energetic revival of a franchise that had lost its footing, with James McAvoy and Michael Fassbender's chemistry drawing the most consistent praise. The divergence between the strong critical response and the more moderate critical-scoring landscape suggests some reviewers found the film accomplished but not quite essential — good genre craft rather than a genuine classic.
“audacious, confident and fueled by youthful energy”
Todd McCarthy·The Hollywood Reporter
“a wickedly smart script with a multilayered theme that ... never loses sight of its ultimate story, and makes each emotional motivation interlock, often shockingly playing for keeps with its characters.”
Frank Lovece·Film Journal International
“X-Men: First Class isn't anywhere close to being a genre classic like Spider-Man 2 or The Dark Knight, but it is good enough to rejuvenate a franchise stuck on idle.”
Kenny Lengel·The Arizona Republic
“These two have, yes, real star magnetism, both individually and together: They're both cool and intense, suave and unaffected, playful and dead serious about their grand comic-book work.”
Lisa Schwarzbaum·Entertainment Weekly
Action, Sci-Fi