Retired C.I.A. agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.
Critics found RED 2 a mostly joyless retread, noting that the original's relaxed, self-aware charm has been traded for louder, emptier action. The ensemble cast still generates occasional warmth, but reviewers were largely united in feeling the premise had already exhausted itself.
“An obligatory sequel that can't quite recapture the sly, laid-back pleasures of its cheerfully ridiculous predecessor.”
Justin Chang·Variety
“...in a lackadaisical sequel no one asked for except perhaps his creditors, Bruce Willis seems unmotivated to smile at all, much less offer a series of emotions that constitute a believable or compelling performance.”
Todd Gilchrist·The Wrap
“Red 2 is much more of a mixed bag than it should have been.”
Betsy Sharkey·Los Angeles Times
“Cars careen, lazily written infiltration plans are executed, and the violence is plentiful and toothless.”
Nicolas Rapold·The New York Times
Action, Comedy, Crime
Retired C.I.A. agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.
Critics found RED 2 a mostly joyless retread, noting that the original's relaxed, self-aware charm has been traded for louder, emptier action. The ensemble cast still generates occasional warmth, but reviewers were largely united in feeling the premise had already exhausted itself.
“An obligatory sequel that can't quite recapture the sly, laid-back pleasures of its cheerfully ridiculous predecessor.”
Justin Chang·Variety
“...in a lackadaisical sequel no one asked for except perhaps his creditors, Bruce Willis seems unmotivated to smile at all, much less offer a series of emotions that constitute a believable or compelling performance.”
Todd Gilchrist·The Wrap
“Red 2 is much more of a mixed bag than it should have been.”
Betsy Sharkey·Los Angeles Times
“Cars careen, lazily written infiltration plans are executed, and the violence is plentiful and toothless.”
Nicolas Rapold·The New York Times
Action, Comedy, Crime
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