A cybersecurity expert becomes a whistleblower after uncovering secrets about aliens, putting him on the run from a corporation. Meanwhile, a meteorologist experiencing strange phenomena joins forces with him to prove there's life beyond our understanding.
Spielberg's alien-conspiracy thriller earns broad but not universal enthusiasm: Emily Blunt's performance is the near-unanimous highlight, and the film's Spielbergian optimism and barnstorming set-pieces win most critics over, but a vocal minority find the plotting woolly and the sense of awe underwhelming compared to the director's earlier work in the genre. The split is less about whether the film works as entertainment and more about whether it achieves genuine wonder.
“might be pitched as a spiritual sequel to Close Encounters, but the movie itself—typically earnest and fantastic entertainment, as fluid in its direction as it can be clumsy with its ideas—is in far more immediate conversation with Spielberg's recent films”
David Ehrlich·IndieWire
“vigorous and diverting ride”
Variety
“never anything other than entertaining and grade-A fun; rare enough in the movies or anywhere else, rocketing along with barnstorming set-pieces, exhilarating chases, funny lines and a career-topper of a performance from Blunt”
Peter Bradshaw·The Guardian
“unquestionably a big swing”
The Telegraph
“a flimsy, outdated car-chase thriller with no ideas about aliens that we haven't heard before”
Nicholas Barber·BBC
Mystery, Science Fiction, Thriller
A cybersecurity expert becomes a whistleblower after uncovering secrets about aliens, putting him on the run from a corporation. Meanwhile, a meteorologist experiencing strange phenomena joins forces with him to prove there's life beyond our understanding.
Spielberg's alien-conspiracy thriller earns broad but not universal enthusiasm: Emily Blunt's performance is the near-unanimous highlight, and the film's Spielbergian optimism and barnstorming set-pieces win most critics over, but a vocal minority find the plotting woolly and the sense of awe underwhelming compared to the director's earlier work in the genre. The split is less about whether the film works as entertainment and more about whether it achieves genuine wonder.
“might be pitched as a spiritual sequel to Close Encounters, but the movie itself—typically earnest and fantastic entertainment, as fluid in its direction as it can be clumsy with its ideas—is in far more immediate conversation with Spielberg's recent films”
David Ehrlich·IndieWire
“vigorous and diverting ride”
Variety
“never anything other than entertaining and grade-A fun; rare enough in the movies or anywhere else, rocketing along with barnstorming set-pieces, exhilarating chases, funny lines and a career-topper of a performance from Blunt”
Peter Bradshaw·The Guardian
“unquestionably a big swing”
The Telegraph
“a flimsy, outdated car-chase thriller with no ideas about aliens that we haven't heard before”
Nicholas Barber·BBC
Mystery, Science Fiction, Thriller