Harley Quinn joins forces with a singer, an assassin and a police detective to help a young girl who had a hit placed on her after she stole a rare diamond from a crime lord.
Critics were mostly positive on Margot Robbie's performance and director Cathy Yan's visually kinetic style, but the script divided opinion sharply — some found its anarchic energy genuinely liberating, while others felt the banter between action sequences never delivered on the film's irreverent premise. The gap between critics and general audiences is notable, with viewers landing considerably cooler than the press.
“Much of this R-rated movie is chaotic, yet it's a richly hued, madly inventive, gleefully violent and happily slapdash contraption with a formidable female at its center.”
Joe Morgenstern·The Wall Street Journal
“the mood of antic, playful obnoxiousness feels forced rather than liberated, the result of careful note-taking during repeated viewings of Deadpool.”
A. O. Scott·The New York Times
“action-packed, but more rule-following than its bonkers protagonist.... Yan finds plenty of opportunities for exciting set pieces: Extravagant action choreography makes the most of colorful set design, unlikely gimmicks and wrasslin'-style brutality. But Hodson's script offers far less diverting banter than it might've between the fight scenes.”
John DeFore·The Hollywood Reporter
“Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is more than horrible. It should not exist. Money should never have been raised for it. The screenplay should never have been filmed. Margot Robbie shouldn't have produced it. She certainly shouldn't have starred in it.”
Mick LaSalle·San Francisco Chronicle
Action, Comedy, Crime
Harley Quinn joins forces with a singer, an assassin and a police detective to help a young girl who had a hit placed on her after she stole a rare diamond from a crime lord.
Critics were mostly positive on Margot Robbie's performance and director Cathy Yan's visually kinetic style, but the script divided opinion sharply — some found its anarchic energy genuinely liberating, while others felt the banter between action sequences never delivered on the film's irreverent premise. The gap between critics and general audiences is notable, with viewers landing considerably cooler than the press.
“Much of this R-rated movie is chaotic, yet it's a richly hued, madly inventive, gleefully violent and happily slapdash contraption with a formidable female at its center.”
Joe Morgenstern·The Wall Street Journal
“the mood of antic, playful obnoxiousness feels forced rather than liberated, the result of careful note-taking during repeated viewings of Deadpool.”
A. O. Scott·The New York Times
“action-packed, but more rule-following than its bonkers protagonist.... Yan finds plenty of opportunities for exciting set pieces: Extravagant action choreography makes the most of colorful set design, unlikely gimmicks and wrasslin'-style brutality. But Hodson's script offers far less diverting banter than it might've between the fight scenes.”
John DeFore·The Hollywood Reporter
“Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is more than horrible. It should not exist. Money should never have been raised for it. The screenplay should never have been filmed. Margot Robbie shouldn't have produced it. She certainly shouldn't have starred in it.”
Mick LaSalle·San Francisco Chronicle
Action, Comedy, Crime