Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.
Gerwig's candy-colored satirical comedy landed with most critics as a genuinely sharp piece of mainstream filmmaking, with Margot Robbie and Ryan Gosling both singled out for standout work. The sharpest disagreements center on the film's feminist politics: admirers found the subversion real and the humor disarming, while skeptics argued the ideology was half-baked, expressed in slogans rather than feeling, and that the film's self-awareness curdled into smugness after a strong opening stretch.
“The crucial partnership here is the one between director and performer, Gerwig and Robbie; anything Gerwig and Baumbach's verbally dexterous script requires, from Barbie's first teardrop to the final punchline, Robbie handles with unerring precision.”
Michael Phillips·Chicago Tribune
“an intellectual experience, not an emotional one, grounded largely in audience nostalgia”
Peter Debruge·Variety
“doesn't ultimately want to do much more than talk itself in circles about these themes”
Alison Willmore·Vulture
“manages to overcome cumbersome plotting and feminist pieties to provide a delightful spectacle of funny moments that add up to something pretty good”
Eileen Jones·Jacobin
Adventure, Comedy, Fantasy
Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.
Gerwig's candy-colored satirical comedy landed with most critics as a genuinely sharp piece of mainstream filmmaking, with Margot Robbie and Ryan Gosling both singled out for standout work. The sharpest disagreements center on the film's feminist politics: admirers found the subversion real and the humor disarming, while skeptics argued the ideology was half-baked, expressed in slogans rather than feeling, and that the film's self-awareness curdled into smugness after a strong opening stretch.
“The crucial partnership here is the one between director and performer, Gerwig and Robbie; anything Gerwig and Baumbach's verbally dexterous script requires, from Barbie's first teardrop to the final punchline, Robbie handles with unerring precision.”
Michael Phillips·Chicago Tribune
“an intellectual experience, not an emotional one, grounded largely in audience nostalgia”
Peter Debruge·Variety
“doesn't ultimately want to do much more than talk itself in circles about these themes”
Alison Willmore·Vulture
“manages to overcome cumbersome plotting and feminist pieties to provide a delightful spectacle of funny moments that add up to something pretty good”
Eileen Jones·Jacobin
Adventure, Comedy, Fantasy